The Last Days on Mars is nothing if not bold in what it rips off. Director Robinson and screenwriter Clive Dawson don’t even bother disguising the primary influences–Alien, Aliens, The Thing, Ghosts of Mars–the last one is probably coincidental. You can only do so many stories about zombies on Mars and have it be original.
The film does have extraordinary special effects, great music from Max Richter (who also borrows from the mentioned films in tone, without abject plagiarism) and decent photography from Robbie Ryan . A lot of Mars is set in the dark and Ryan does well giving the audience just enough to see.
Oh, I forgot. Star Trek II. They rip off Star Trek II a little bit.
Sadly, Robinson isn’t even creative enough to turn these lifts from other, very famous science fiction films, which makes them odd choices for such obvious lifts, into a wink to the audience. He fully seems to expect his audience not to have seen a film before this one.
Even if one had never seen a single film before, Mars would still be lame. Robinson’s not just unoriginal when it comes to his compositions, he can’t direct actors and Dawson’s script doesn’t give them anything to do either.
I suppose Liev Schreiber and Romola Garai are okay in the leads. Elias Koteas is good as the captain, Olivia Williams is decent as a determined scientist. None of the acting’s actually bad except Yusra Warsama.
Mars’s just a bad film.
Directed by Ruairi Robinson; screenplay by Clive Dawson, based on a short story by Sydney J. Bounds; director of photography, Robbie Ryan; edited by Peter Lambert; music by Max Richter; production designer, Jon Henson; produced by Andrea Cornwell and Michael Kuhn; released by Magnet Releasing.
Starring Liev Schreiber (Vincent Campbell), Romola Garai (Rebecca Lane), Olivia Williams (Kim Aldrich), Johnny Harris (Robert Irwin), Goran Kostic (Marko Petrovic), Tom Cullen (Richard Harrington), Yusra Warsama (Lauren Dalby) and Elias Koteas (Charles Brunel).
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