The Boys 47 (October 2010)

771208Ennis inexplicably employs a third person narrator for the end of the issue, after Hughie breaks up with Annie. I’m nearly positive he’s never used it before in the series. It’s jarring, reminding the reader it’s just a comic.

He also skips over giving the reader a look into Hughie’s thought process, as he acts so out of character. Traumatic event aside, he’s still acting out of character. And Annie’s somewhat sympathetic… but not exactly well-written.

As for Butcher, who’s the only character with a lot of dialogue besides them–and Maeve, who comes off well in her drunken ramblings–he comes off as malicious. It’s strange stuff.

At the same time, Ennis is building Homelander’s big evil subplot. He’s clearly setting up Annie and Hughie’s breakup to play into it, which is too bad. He doesn’t let anything in The Boys grow organically.

But it works more often than not.


Believe, Conclusion; writer, Garth Ennis; artist, Russ Braun; colorist, Tony Aviña; letterer, Simon Bowland; editor, Joseph Rybandt; publisher, Dynamite Entertainment.

One Comment

  1. Matthew Hurwitz

    What Homelander does and says to that family in the convertible is one of my favorite moments in the series, and a favorite Garth Ennis moment period.

    I really want to read his run on Judge Dredd soon. There’s a trade out now.

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