For the entire issue–which is incredibly fast paced as Alec and Abby try to find a kidnapped Tefé–Scot Eaton’s pencils are fine. There aren’t any amazing panels, but it all flows rather nicely. Until the final reveal, where Eaton goes entirely flat. It’s a full page too. It ends the issue poorly.
Otherwise, the issue’s pretty. Alec acting as a tracking dog for the cops is unlikely; I don’t believe he can’t sense Tefé’s location–can’t he talk to the trees or grass around her–but it’s dramatically successful. Collins hasn’t found a good balance for his power.
She also has a lot of exposition, which is again about the purple vengeance monster. It’s nothing she didn’t cover in the previous issue and now it’s just text to slow the reader. It doesn’t offer anything.
Collins tries to do too much this issue. She should’ve taken her time.
The Bad Man; writer, Nancy A. Collins; penciller, Scot Eaton; inker, Kim DeMulder; colorist, Tatjana Wood; letterer, John Costanza; editor, Stuart Moore; publisher, DC Comics.