Shepherd Hendrix is a very stranger inker (or finisher) for Tom Yeates’s pencils (or layouts). The art’s not bad at all, but Hendrix removes most of Yeates’s personality from the pencils. It’s an awkward amalgamation.
Collins continues her uptick, with Chester going through an emotional crisis and Alec (unknowingly) getting drawn into the Louisiana governor’s race. Collins’s approach to Louisiana’s peculiar. She seems to hate the people who live there. Lots of dumb white racist jokes. Not everyone’s a dumb white racist, but she gives a lot of attention to the ones who are such people.
Still, it shows she’s able to tell a joke even about something serious.
More uses of the word “elemental” in conversation–not to mention Chester referring to Alec as “Swampy”–continue to make Swamp Thing seem more domestic. Abby’s kitchen now even has a stove and refrigerator.
It’s good; Collins writes some great details.
All the Swamp King’s Men; writer, Nancy A. Collins; penciller, Tom Yeates; inker, Shepherd Hendrix; colorist, Tatjana Wood; letterer, Albert DeGuzman; editor, Stuart Moore; publisher, DC Comics.