With her cane and big goofy hat, it’s hard not to think of Lon Chaney in Phantom of the Opera when Mae West breaks out into her first song in She Done Him Wrong.
While West wrote the film’s source, a play, it seems like the film would play better as a silent. Her acting “style” doesn’t lend well to dialogue and the shock value of her lines would work just as well on title cards.
The film drags—it’s barely sixty-five minutes and Sherman has to pad it with four or five musical numbers. He does manage to give the impression he opened it up though. The film takes place in a night club; the one trip outside stays in memory long enough open the picture.
Somehow Sherman and director of photography Charles Lang can come up with nice camera movements to track West and her swaggering strut, but Sherman and editor Alexander Hall can’t do one nice cut. The film’s editing is atrocious. Every time the shot changes, whether between scene or between angle, it’s hideously jarring.
Some of the supporting performances are good. Dewey Robinson is great as West’s flunky and Owen Moore (in a theatrical turn, which I’m not using as a pejorative term) is excellent as her ex-boyfriend. Noah Beery’s okay, nothing more, and Rafaela Ottiano is weak. David Landau has some moments.
Cary Grant, however, has no good ones.
The film and West (it’s her vanity piece, after all) are a chore.
Directed by Lowell Sherman; screenplay by Harvey F. Thew and John Bright, based on a play by Mae West; director of photography, Charles Lang; edited by Alexander Hall; music by John Leipold; produced by William LeBaron; released by Paramount Pictures.
Starring Mae West (Lady Lou), Cary Grant (Captain Cummings), Owen Moore (Chick Clark), Gilbert Roland (Serge Stanieff), Noah Beery (Gus Jordan), David Landau (Dan Flynn), Rafaela Ottiano (Russian Rita), Dewey Robinson (Spider Kane), Rochelle Hudson (Sally), Tammany Young (Chuck Connors), Fuzzy Knight (Rag Time Kelly), Grace La Rue (Frances), Robert Homans (Doheney) and Louise Beavers (Pearl).
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