I always think of Aliens as a precisely choreographed ballet. Director Cameron moves his large cast–though it does winnow over time–around in these cramped sets and everyone has something to do; Cameron draws the viewer’s attention to one character, but the rest are in motion setting up the next moment in the scene.
Watching the film this time, I noticed how Cameron’s subtle introductions to each character later define them. Sure, there’s a handful of characters who don’t get much focus, but about nine do. It’s like a ballet on wires.
Cameron’s script is also able to keep up its urgency throughout. The titular aliens don’t even appear at the start of the second act; Cameron holds them off as long as possible, which later lets Aliens constantly break expectations. Cameron organically sets up and knocks down various possibilities for the film… all while following some definite horror genre standards.
Aliens is meticulous–Ray Lovejoy’s editing is truly astounding, whether he’s passing time with a fade or perfectly cutting the action scenes. Adrian Biddle’s photography’s excellent–as is the effects work–but Lovejoy’s editing is simply wow.
All of the principals are excellent. Obviously Sigourney Weaver, but Michael Biehn, Lance Henriksen and Paul Reiser are great too. Carrie Henn is fantastic in her difficult, understated scream princess role. I love how the script implies character relationships developing offscreen. It’s wonderful.
Cameron achieves a major success. Aliens is exhilarating. Like most great films, it gets better with every viewing.