Highlander: Endgame (2000, Douglas Aarniokoski)

For all intents and purposes, there’s nothing nice to say about Highlander: Endgame. Maybe there’s an almost all right moment between Lisa Barbuscia and Adrian Paul. They’re married, but estranged. They’re both immortal, something he didn’t tell her before killing her to bring about her immortal existence. It’s terribly handled in the flashback sequences and not exactly done well in the modern day stuff, but Paul can emote serious without actually being able to act serious and Barbuscia really isn’t bad when she’s not playing an evil tough guy. It’s like Paul and Barbuscia remembered a better scene from an acting class and tried it out in Endgame. But, otherwise, it’s bereft of quality.

Joel Soisson’s script isn’t good, but it’s not utter crap. It’s mildly competent. If director Aarniokoski had any ability whatsoever, the film would have moved. But there’s also Douglas Milsome’s awful photography, the six terrible editors, the lame music, the cheap looking sets, the lousy special effects. Even Christopher Lambert deserves better than Aarniokoski. Lambert’s a trooper. He’s bad, but he’s willing. Aarniokoski doesn’t do anything with him. Aarniokoski’s camera doesn’t have any connection with the characters. It’s so bad. Aarniokoski does a really, really bad job. And Milsome enables some of it.

Because, Endgame is a part of what was once an almost reputable cult franchise. Things went wrong, but Highlander was an HBO hit in the eighties when HBO movie hits mattered. And Endgame is even more horrifying because it actually tries really hard to be a sequel to the original movie. It can’t be a sequel to the original because it’s a sequel to the TV show, but it wants to pretend. Aarniokoski doesn’t care enough pretend, but Lambert and the script want to pretend. So it’s depressing. It’s actually depressing.

Endgame is about pitying the people who tried to care about it. Not just the actors, but the audience. Watching this movie makes you feel bad for the other people who have seen it.

Lousy performance from Bruce Payne as the villain. It’d be laughable but it always feels like there’s a chance Payne is intentionally doing vamp camp so maybe it’s somehow brilliant. But it can’t be because Aarniokoski’s bad at directing actors too. He’s bad at filming actors act. It’s an incredibly poorly directed film. It’s stunning.

Oh, and Donnie Yen’s good. Beatie Edney too. She manages to have class, which is something because there’s no class anywhere else in this picture.

It doesn’t even move well. It’s less than ninety minutes and there’s always action and it doesn’t even move. Endgame is the pits.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Douglas Aarniokoski; screenplay by Joel Soisson, based on a story by Eric Bernt, Gillian Horvath and William N. Panzer and characters created by Gregory Widen; director of photography, Douglas Milsome; edited by Chris Blunden, Rod Dean, Robert A. Ferretti, Tracy Granger, Michael N. Knue and Donald Paonessa; music by Nick Glennie-Smith and Stephen Graziano; production designers, Jonathan A. Carlson and Stephen Scott; produced by Peter S. Davis, Panzer and Brian Gordon; released by Dimension Films.

Starring Christopher Lambert (Connor MacLeod), Adrian Paul (Duncan MacLeod), Bruce Payne (Jacob Kell), Lisa Barbuscia (Faith), Donnie Yen (Jin Ke), Jim Byrnes (Joe Dawson), Peter Wingfield (Methos), Damon Dash (Carlos), Beatie Edney (Heather), Sheila Gish (Rachel) and June Watson (Caiolin MacLeod)


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