Despite all Danny DeVito’s vulgar innuendos–though there are a couple missed opportunities–Other People’s Money is a rather chaste film. Director Jewison’s model for it is a Hollywood classic, with exquisite gowns for DeVito’s love interest slash rival, Penelope Ann Miller, and hats for the men.
With photography from Haskell Wexler and Alvin Sargent’s thoughtful, deliberate screenplay (though that thoughtfulness might be from Jerry Sterner’s source play), Money is extremely elegant. DeVito playing a variation on his bombastic, obnoxious persona for the first thirty minutes only makes the elegance more striking.
The film opens with DeVito positioned against not Miller, but Gregory Peck, Piper Laurie and Dean Jones (Jones is fantastic in the film). He’s an amusing villain… nothing more. Then Miller enters and Money changes. Jewison has the problem of making a romance believable between the refined Miller and the trollish DeVito. And he solves it. The very slow humanizing of DeVito is one of Money‘s best elements, as DeVito, Jewison and Sargent have structured the character so it’s not a development, just a delayed revelation.
While DeVito’s excellent, Miller’s more impressive because she has to contend with him. Jewison’s composition puts a lot of importance on sight line and Miller sells every scene. It helps Miller’s character has a layered personality too.
R.D. Call and Mo Gaffney are good in smaller roles.
The film’s third act, unfortunately, wobbles quite a bit. Luckily, DeVito, Miller and Jewison’s previous successes are able to override it.
Money‘s an excellent picture.
Directed by Norman Jewison; screenplay by Alvin Sargent, based on the play by Jerry Sterner; director of photography, Haskell Wexler; edited by Hubert C. de la Bouillerie, Lou Lombardo and Michael Pacek; music by David Newman; production designer, Philip Rosenberg; produced by Jewison and Ric Kidney; released by Warner Bros.
Starring Danny DeVito (Lawrence Garfield), Penelope Ann Miller (Kate Sullivan), Piper Laurie (Bea Sullivan), Dean Jones (Bill Coles), R.D. Call (Arthur), Mo Gaffney (Harriet), Bette Henritze (Emma), Tom Aldredge (Ozzie), Leila Kenzle (Marcia) and Gregory Peck (Andrew Jorgenson).