blogging by Andrew Wickliffe

High and Dizzy (1920, Hal Roach)

Sometimes low concept is the best concept. High and Dizzy concerns a drunken Harold Lloyd and his adventures about town with his sidekick, played by Roy Brooks. Lloyd and Brooks get into all sorts of trouble, some predictable, some not, and it just makes for a pleasant comedy.

It helps, of course, Lloyd can be acrobatic–whether he’s scaling a building or just hopping over a desk–because it maintains the action quotient.

Dizzy‘s not just about a drunken Lloyd, however. It’s about a failing new doctor drunken Lloyd who’s in love with a patient. The short’s structure is, though contrived, rather nice. At the beginning, a sober Lloyd falls for Mildred Davis. He falls so hard, he doesn’t even get her diagnosis, which comes back as a plot point later.

Roach, as usual, competently directs without being interesting.

The finale’s a little forced, but Dizzy‘s already succeeded.

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