Haunted Spooks (1920, Hal Roach and Alfred J. Goulding)

Haunted Spooks is a disjointed experience. It starts well enough, with unmarried Mildred Davis inheriting a mansion… so long as she’s married. Her lawyer promises to get her a husband, which the title cards have already revealed will be Harold Lloyd.

Then Haunted takes its time bringing the two together. Instead, Lloyd’s current love interest picks another man–after a lengthy sequence where he’s trying to beat still another suitor to ask her father’s blessing–and Lloyd decides to kill himself. Then there are multiple suicide attempts; they’re often funny, but Haunted‘s not exactly an upper.

Finally Davis and Lloyd get together and head to the mansion. Except her evil uncle has convinced the servants the mansion is haunted. They panic. Their panic panics Davis and Lloyd.

The haunting stuff flops and the opening’s only marginally better.

Lloyd’s excellent, but Haunted‘s most compelling feature is the beautifully illustrated title cards.

1/3Not Recommended

CREDITS

Directed by Hal Roach and Alfred J. Goulding; titles by H.M. Walker; director of photography, Walter Lundin; produced by Roach; released by Pathé Exchange.

Starring Harold Lloyd (The Boy), Mildred Davis (The Girl), Wallace Howe (The Uncle), William Gillespie (The Lawyer), Marie Mosquini (The Other Girl) and Blue Washington (The Butler).

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One thought on “Haunted Spooks (1920, Hal Roach and Alfred J. Goulding)”

  1. Beanie Walker always had beautiful title cards. It’s a shame when you encounter prints of Hal Roach shorts where they’ve replaced, or recreated the title cards. They just don’t have the same flair, even when they say the exact same thing. It’s more like Jack Webb reciting Shakespeare.

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