blogging by Andrew Wickliffe

Feed the Kitty (1952, Chuck Jones)

A scene from FEED THE KITTY, directed by Chuck Jones for Warner Bros.

A tough bulldog adopts an adorable kitten in Feed the Kitty; a story Jones liked so much he remade it. This one, the original, manages to be charming without saccharine, maybe because of the really strange objectification of the dog’s lady owner.

She kicks up her skirt at one point, revealing her legs, and it seems highly inappropriate.

The cartoon mostly concerns the dog not being allowed new toys–or, he assumes, a new kitten–and having to hide the kitten from the owner.

All the various gags to hide the kitten are good. There’s even the sequence where the dog thinks the kitten’s been baked. Jones handles the despondence quite well.

The only weak moment is during a chase sequence when the perspective gets messed up. Otherwise, everything–story, direction, animation–is wonderful.

Kitty‘s a fine fifties visual time capsule, but it’s also an excellent bit of cartooning.

3/3Highly Recommended


Directed by Chuck Jones; written by Michael Maltese; animated by Ken Harris, Phil Monroe, Lloyd Vaughan and Ben Washam; edited by Treg Brown; music by Carl W. Stalling; produced by Edward Selzer; released by Warner Bros.

Starring Mel Blanc (Marc Anthony / Pussyfoot) and Bea Benaderet (Marc Anthony’s Mistress).


One response to “Feed the Kitty (1952, Chuck Jones)”

  1. Matthew Hurwitz

    I never noticed that racy shot of the housewife’s legs as a kid. Something for the dads in the audience, I guess. Also upon revisiting this one, that housewife really strikes me as an insufferable nag.

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