CG animation has, much to my surprise, gotten to the point of disquieting reality. In Puss in Boots, Zach Galifianakis’s Humpty Dumpty has such real facial expressions, it makes the entire experience uncomfortable. The face, on the alien form, is too real.
Galifianakis is Puss’s weakest casting choice. In fact, he might be the only weak casting choice. He doesn’t bring any, you know, acting to the part. He’s reading lines, maybe exaggerating his tone occasionally, but he’s not acting. Everyone else is good. Except Amy Sedaris, for the same reason.
Antonio Banderas is great—but Puss is kind of perfect… it’s a cat as Zorro. Who better to do the performance than Zorro? Salma Hayek, Billy Bob Thornton, both are strong.
The film’s constantly delightful, which seems to be everyone’s goal, so picking at it doesn’t seem fruitful. But it would also be difficult.
My biggest gripe, besides the two weak performances (which aren’t bad, just not up to the film’s standard), has to do with scale. When the cast goes from the spaghetti Western setting to fairy tale setting, the two cats and the giant egg-man aren’t around any recognizable size landmarks. In fact, they’re in a giant’s castle… so the scale gets disconcerting.
But it’s a very small gripe. Puss holds it together for a difficult finish too.
By not failing the narrative, director Miller succeeds. Though the lead and the amazing CG help.
Puss in Boots is a very charming, just smart enough amusement.
Directed by Chris Miller; screenplay by Tom Wheeler, based on a story by Brian Lynch, Will Davies and Wheeler and a character created by Charles Perrault; edited by Eric Dapkewicz; music by Henry Jackman; production designer, Guillaume Aretos; produced by Joe M. Aguilar and Latifa Ouaou; released by Dreamworks Animation.
Starring Antonio Banderas (Puss in Boots), Salma Hayek (Kitty Softpaws), Zach Galifianakis (Humpty Alexander Dumpty), Billy Bob Thornton (Jack), Amy Sedaris (Jill), Constance Marie (Imelda) and Guillermo del Toro (Comandate).