Parker plays fast and loose with the logic for the conclusion. Not for the flashbacks–which is careful not to overlap the previous Gorilla-Man origin–but for the modern stuff. It ends on a strange note, showing Ken to maybe be Parker’s strongest Agent of Atlas. He’s able to make profound statements and tell crude jokes and have it work.
The looseness is to get the story done quickly. The pacing is good, but Parker could have used another issue. The flashback material is compelling and begs for more attention. Some questions frustratingly go unanswered–even in the modern part, a side effect of the loose logic.
There’s a lot of brief action too. Caracuzzo has a great scene with Ken knocking people around with a giant log.
I can’t believe I forgot–it opens with Ken talking to a gorilla. For some reason, it’s a beautiful, quiet scene.
Parker does a fine job.