Wow, I’ve never written about an Albert Pyun movie for the Stop Button? I hadn’t realized how lucky I’ve been over the last five years not to see one. Actually, I don’t know if I’ve ever seen a Pyun movie as an adult.
Dollman went straight to video. Some of it looks like it might have been shot on video too, really bad video, but it’s not like good film stock was going fix this one.
The film sort of defies description. I was expecting The Incredible Shrinking Man with a wisecracking cop (played by Tim Thomerson). But it’s nothing along those lines. Even though Thomerson’s human-looking alien cop is only supposedly to be thirteen inches tall, there’s not a single scene of him interacting with some oversized prop or an exaggerated set. Dollman‘s too cheap for those effects.
It’s too cheap for a lot, apparently. Thomerson has a double for long shots, one with completely different hair. The double does some of the process shots too, for when Thomerson’s on screen with regular-sized people.
The script’s a disaster–it’s more of a social piece about the Bronx than a sci-fi action thriller–but there’s occasionally hilarious dialogue.
Thomerson’s pretty disinterested, but his lines usually go over well. The film also stars Jackie Earle Haley, playing a gang banger out of the seventies. Haley occasionally does really well. The script’s weak for him, but he’s got a lot of charm, even as a vicious moron.
Directed by Albert Pyun; screenplay by David Pabian and Chris Roghair, based on a story by Charles Band; director of photography, George Mooradian; edited by Margeret-Anne Smith; music by Anthony Riparetti; production designer, Don Day; produced by Cathy Gesualdo; released by Paramount Home Video.
Starring Tim Thomerson (Brick Bardo), Jackie Earle Haley (Braxton Red), Kamala Lopez (Debi Alejandro), Humberto Ortiz (Kevin Alejandro), Nicholas Guest (Skyresh), Judd Omen (Mayor), Michael Halsey (Cally), Frank Doubleday (Cloy), Frank Collison (Sprug), Vincent Klyn (Hector), John Durbin (Fisher) and Merle Kennedy (Maria).