Affleck’s directorial abilities are impressive. He’s got a great sense of composition–he seats his actors on either end of the Panavision frame, leaving this great space of emptiness between them. Except, of course, when he’s on screen with Rebecca Hall, as their bridging the gap is the whole point of The Town.
But he’s got his problems too. He casts too strongly.
Between himself, Jeremy Renner and Jon Hamm, Affleck’s got three strong lead performances. He doesn’t have enough story for all three, so it’s hard to track them across the film’s narrative canvas.
For a while, the large canvas does Affleck good–and even after it gets too big, it still does allow for some really solid scenes, unimportant to the plot, but very human. The benefit is the lack of expectable. The story develops organically, one moment growing into the next, the opening feeling of foreboding waning as characters and relationships become more clear.
Some of the best moments are the ones Affleck holds longer than he needs to hold.
But, in the end, it’s a heist movie and heist movies have big, third act heists.
Affleck is able to do some different things with the way that heist works, but not enough to shrink it to fit the rest of the film.
Excellent performances from everyone–Hamm’s amazing and Hall’s quietly heartbreaking. Great supporting turn from Titus Welliver and–a big surprise–Blake Lively.
Even with its problems, The Town is an outstandingly piece of work.