Norwood’s very design-oriented–he’s a Hollywood storyboard guy–and the art suffers for it. The setting, the designs of the human settlement on an alien planet, is great. The panel composition is stunning. The figures are awkward and bad. Everyone’s proportions are off a little bit. They’re too stout for their height.
Stradley’s writing here is really strong–he has a female narrator, but makes distance part of her character (I’m not sure if she’s Japanese because it’s a comic from 1990 about the future of corporations or if Stradley used it to add even more distance, this time cultural). But his establishing of the setting is great too. There’s no lengthy exposition, he just sets it up, makes sure to give everyone important a name within a page or two of their first appearance.
The aliens fighting Predators antics haven’t started yet; it’s just solid sci-fi here.
Writer, Randy Stradley; penciller, Phill Norwood; inkers, Karl Story, Mark Propst, Brian Stelfreeze and Stine Walsh; colorist, Monika Livingston; letterer, Pat Brosseau; editor, Diana Schutz; publisher, Dark Horse Comics.