It might be funny to kick Kevin Smith when he’s down–Cop Out, his first attempt at directing someone else’s script (after fifteen years of doing his own projects), bombed and then there was that whole thing with the airplane seating–but Cop Out‘s not his fault. Well, maybe Seann William Scott is Smith’s fault, but he makes up for him with Adam Brody and Kevin Pollak….
The two biggest problems with the film are the script and Tracy Morgan. The script’s unbearably stupid, like it’s intended to be a spoof of buddy cop movies and someone forgot to make it funny. Morgan’s playing a variation on his character from “30 Rock.” It’s never believable for a second he could hold a job (much less be a cop), have a friend (Willis comes off more like a babysitter) or a wife (I’m not sure if Rashida Jones is wasted in Cop Out or useless). During Morgan’s scenes, I kept wanting to slam my head against something, thinking a concussion might get me in the frame of mind to appreciate his performance.
But back to Brody and Pollak. The movie should have been about them. Smith’s trying to do some kind of a throwback to the eighties cop comedies, like Beverly Hills Cop–he even brings in Harold Faltermeyer to regurgitate his Fletch score. Brody’s young and eager and Pollak’s old and cynical. They banter, they have antics. It would have been great.
Instead, it’s not great. Instead, it’s completely insipid.
Directed and edited by Kevin Smith; written by Robb Cullen and Mark Cullen; director of photography, David Klein; music by Harold Faltermeyer; production designer, Michael Shaw; produced by Marc Platt, Polly Johnsen and Michael Tadross; released by Warner Bros.
Starring Bruce Willis (Jimmy), Tracy Morgan (Paul), Adam Brody (Barry Mangold), Kevin Pollak (Hunsaker), Ana de la Reguera (Gabriela), Guillermo Diaz (Poh Boy), Michelle Trachtenberg (Ava), Jason Lee (Roy), Francie Swift (Pam), Rashida Jones (Debbie) and Seann William Scott (Dave).