Somehow, it’s impossible to find an actual Tarkovsky quote regarding 2001 online, just tidbits about Solaris being his humanist response to that film.
I wanted to open with a comment about Norman Jewison sharing the opinion about the science fiction genre.
Rollerball‘s a technical masterpiece. Jewison’s sense of composition and editing have never been better. It’s unfortunate, very unfortunate, the script isn’t up to snuff. During scenes, some more than others, but during actual scenes and not the frequent exposition scenes–Rollerball seems like it should be fantastic. The film’s a series of vignettes imprisoned by William Harrison’s poor transitionary scenes and endless exposition. Harrison bashes at the viewer with a rubber mallet at every opportunity, when instead–given the film’s distanced view of the future (the viewer never gets to see the rollerball fans outside the stadium, the common people)–just sitting back and letting Jewison try to loose his inner Fellini on a Hollywood movie, would have let the film achieve its full potential.
Jewison’s choices aren’t all perfect, of course. The use of classical music is a serious mistake. The choices are poor and, occasionally, comedically bombastic.
James Caan’s performance is okay. He plays the character ultra-shy at times, murmuring to the point he’s unintelligible. He gets better as the movie goes on.
Rollerball runs just over two hours and, sometime before the first hour’s up, the film’s suffocated the viewer. It’s not exciting, it’s not intriguing, but it’s somehow captivating.
The other performances are generally decent. It’s amazing to see John Houseman play his role straight-faced and well. John Beck and Moses Gunn are both good. Maud Adams is terrible.
Though Jewison’s take is highly derivative–I guess he even owns up to the Kubrick influence–he does a great job. It’s just too bad he didn’t get a good screenwriter.
Produced and directed by Norman Jewison; screenplay by William Harrison, based on his short story; director of photography, Douglas Slocombe; edited by Antony Gibbs; production designer, John Box; released by United Artists.
Starring James Caan (Jonathan E.), John Houseman (Bartholomew), Maud Adams (Ella), John Beck (Moonpie), Moses Gunn (Cletus), Pamela Hensley (Mackie), Barbara Trentham (Daphne), Shane Rimmer (Rusty) and Ralph Richardson (Librarian).