I’d forgotten how loud comedies could get. Maybe I haven’t seen enough eighties comedies lately, because watching The Dream Team, I kept wondering how I’d never noticed the music in the film before. I saw The Dream Team back on video, probably in 1990–Michael Keaton as Batman might not have been box office dollars, but I’m sure I wasn’t the only kid who rented his movies thanks to the role. I probably haven’t seen it in ten plus years, but I’ve always had a soft spot for the film.
It’s hard not to have one, however, since The Dream Team is so nice. Even the dirty, murderous cops are kind of nice (to a point). The Dream Team takes place in a pseudo-reality but isn’t set there, which makes for an odd experience at times. So much of the film is effortless, I don’t think–besides that tone–I ever noticed the direction once, or even the writing, past some issues with the story structure. It’s a benign experience–one with audible laughs, but it’s so mild an exercise, I almost think there should be a genre called the “Imagine Entertainment Comedy.” They could get a trademark for it and everything.
The comedic acting from Michael Keaton, Peter Boyle, Stephen Furst, and even Christopher Lloyd is all great. I was most surprised at Lloyd, only because I’m used to him being so bad. Boyle’s absolutely fantastic and has most of the film’s best lines. Dennis Boutsikaris leaves an impression because he seems like he should have done more–high profile roles–but has not. Lorraine Bracco’s in it too and it was funny I had to think about her original Hollywood film career and how it disappeared so quickly. On the other hand, it reminded me how good at comedy Keaton is….
The Dream Team is actually something of a relic–not just of when comedies used to not be so bad, but when studios still somehow made uninteresting projects interesting, either through casting or production. It’s just worth seeing for the performances.
Directed by Howard Zieff; written by Jon Connolly and David Loucka; director of photography, Adam Holender; edited by C. Timothy O’Meara; music by David McHugh; production designer, Todd Hallowell; produced by Christopher W. Knight; released by Universal Pictures.
Starring Michael Keaton (Billy Caulfield), Christopher Lloyd (Henry Sikorsky), Peter Boyle (Jack McDermott), Stephen Furst (Albert Ianuzzi), Dennis Boutsikaris (Dr. Weitzman), Lorraine Bracco (Riley), Milo O’Shea (Dr. Newald), Philip Bosco (O’Malley) and James Remar (Gianelli).