I love scenes where actors eat. There’s a great scene in Dave with Sigourney Weaver eating a sandwich. Great stuff.
It occurred to me, while watching the film, that, while it’s still cute, it’s already a relic and it’s only twelve years old. The idea of a person wanting to be President in order to help other people, to help the less fortunate. It isn’t just that Bush is a nitwit, ass clown, he’s also viciously unkind to the very idea of helping people. At the end of Dave, when the pseudo-Capra moments filled me, altruism filled me and I wanted to be President. The sensation lasted a second or two, which is the longest it’s lasted… probably since the last time I saw Dave, or maybe when I saw Waking the Dead or something. I love how movies about politicians have to be set in the past. Except “The West Wing,” but that’s not a movie and I don’t watch it anymore, anyway.
Then reality caught up. While Kevin Kline is great throughout the film, Gary Ross’s screenplay wastes the first half, barely featuring the best parts of the film: Kline and Weaver’s relationship, Kline and Ving Rhames’ relationship, and Kline and Charles Grodin’s relationship. Wow, do I ever miss Charles Grodin. Watching him again almost made me want to try watching The Heartbreak Kid again, then my senses returned. The whole film is perfectly cast, but the front section is too heavy with Frank Langella’s villain. Langella’s great, but it’s not where the film’s meaty. Dave‘s at its best when Weaver’s around. Her scenes let the audience connect with the incredible situation (so do some of Rhames’, but not as many) and let the film approach real poignancy.
If you can believe a film about an American President who doesn’t like murdering brown people, which, historically speaking, isn’t likely.