It’s nice to have Robert Downey Jr. back. Val Kilmer is hardly doing anything, so I always looked at Kiss Kiss Bang Bang as a Kilmer film, but then, watching, I realized that I hadn’t seen Downey in anything since… Wonder Boys? Probably Wonder Boys. But he’s the lead in Kiss Kiss and it reminds you just how great he is an actor. Didn’t want to end with an “it” there.
Kilmer’s great too, but the show’s all Downey’s. Downey’s and Shane Black’s. Kiss Kiss isn’t perfect–it gets way too serious when it doesn’t have to–but it’s an impressively constructed film. It’s like if Adaptation had worked. Black “reinvents the buddy film again!” No, I’m just kidding–lots of people are bringing up that Shane Black wrote Lethal Weapon. But there’s a difference between the two films… Kiss Kiss takes some responsibility for itself. It might actually take too much responsibility, but there’s actual weight to the characters’ violent acts. That’s something new.
Either some or a lot of notice has been given to Kilmer playing an openly gay character. This notice falls under my observation a few years ago: GLAAD has an award for best portrayal–in an amusement–of gay characters as… human beings. When I first read that, I checked the calendar and, yes, I was living in 2004, so I decided that the human species just needed to be firebombed. Or something. The character’s gayness probably started–for Black–as a way to comment on the genre and the character relationships, but Kilmer and Downey just made it part of the film. And their relationship is great. So good I used an “and” to start a sentence.
I guess I should pay some attention to the female lead, Michelle Monaghan. She’s really good in the film–playing Downey’s high school dream girl no less–one of the further ways Black plays with the medium–and she needs to be in other films I want to see.
Kiss Kiss Bang Bang is probably the best time I’ve had in the theater in a long time. I’m glad I went (instead of just waiting three months for the DVD).