Among Those Present (1921, Fred C. Newmeyer)

Newmeyer takes Harold Lloyd to a country house in Among Those Present and sets him loose in front of a bunch of snobs. Lloyd plays a variation of his regular character, but this time with additions. For much of the short, he’s posing as a British lord, which showcases Lloyd’s acting ability.

The short has already established him as the likable Lloyd standard, so seeing him be an English snob is a lot of fun. The persona melts, of course, when he meets Mildred Davis. But Lloyd’s coat check boy proves to be quite an acceptable suitor, regardless of society status.

Among Those Present has three distinct periods, with the second being Lloyd’s impersonating in society and the final one being him on a fox hunt. Things do not go well on the hunt.

The short has many good laughs, but the plot structure and acting really set it apart.

Haunted Spooks (1920, Hal Roach and Alfred J. Goulding)

Haunted Spooks is a disjointed experience. It starts well enough, with unmarried Mildred Davis inheriting a mansion… so long as she’s married. Her lawyer promises to get her a husband, which the title cards have already revealed will be Harold Lloyd.

Then Haunted takes its time bringing the two together. Instead, Lloyd’s current love interest picks another man–after a lengthy sequence where he’s trying to beat still another suitor to ask her father’s blessing–and Lloyd decides to kill himself. Then there are multiple suicide attempts; they’re often funny, but Haunted‘s not exactly an upper.

Finally Davis and Lloyd get together and head to the mansion. Except her evil uncle has convinced the servants the mansion is haunted. They panic. Their panic panics Davis and Lloyd.

The haunting stuff flops and the opening’s only marginally better.

Lloyd’s excellent, but Haunted‘s most compelling feature is the beautifully illustrated title cards.