Tag: Virginie Silla

The Extraordinary Adventures of Adèle Blanc-Sec (2010, Luc Besson)

The Extraordinary Adventures of Adèle Blanc-Sec is almost too precious for its own good. It’s so enraptured with the world it creates–Paris in 1911, where pterodactyls and mummies can come back to life–it sometimes forgets to get the viewer as involved.

Besson does a fantastic job bringing that world to life and a lot of it is close to being his best work… but there’s a disconnect. The beginning takes quite a while to introduce the lead–Louise Bourgoin makes the film as the titular Adèle–and in that instance, it has some charm. It seems like the supporting cast is going to have something to do with her. Regardless of the actual plot, she’s got to be the focus.

But she’s often not. I mean, she doesn’t even have a scene with Gilles Lellouche, who has the second-most screen time. He’s a comic police inspector who’s crossing paths with everyone but Bourgoin.

I imagine it’s a facet faithful to the source comic book (which I have unfortunately yet to read–Tardi is fantastic and is only now getting translated and printed in the States). In other words, there’s Besson being too precious again. It feels like he’s doing a straight narrative adaption of the source material, instead of making the storytelling approach appropriate for film.

There are some nice supporting performances, particularly from Jacky Nercessian and Nicolas Giraud.

Besson’s enthusiasm to sell it as a franchise leaves the ending wanting, making a film with the potential to be singular just good instead.

3/4★★★

CREDITS

Directed by Luc Besson; screenplay by Besson, based on the comic book by Jacques Tardi; director of photography, Thierry Arbogast; edited by Julien Rey; music by Eric Serra; production designer, Hugues Tissandier; produced by Virginie Silla; released by EuropaCorp Distribution.

Starring Louise Bourgoin (Adèle Blanc-Sec), Mathieu Amalric (Dieuleveult), Gilles Lellouche (Inspecteur Albert Caponi), Jean-Paul Rouve (Justin de Saint-Hubert), Jacky Nercessian (Marie-Joseph Espérandieu), Philippe Nahon (Le professeur Ménard), Nicolas Giraud (Andrej Zborowski), Laure de Clermont-Tonnerre (Agathe Blanc-Sec), Gérard Chaillou (Président Armand Fallières), Serge Bagdassarian (Ferdinand Choupard), Claire Perot (Nini les Gambettes), François Chattot (Raymond Pointrenaud), Stanislas De la Tousche (Le chauffeur Pointrenaud) and Youssef Hajdi (Aziz).

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From Paris with Love (2010, Pierre Morel)

So, coming off their collaborative success of Taken, Morel and producer Luc Besson decide to… make a John Travolta star vehicle? It’s about ten years too late and probably something someone should have made before Battlefield: Earth. I mean, the endless Pulp Fiction references and the awful attempts at Tarantino-esque dialogue. It’s frequently painful.

In fact, the only amusing thing might be seeing the stuntman standing in for Travolta (whose got to be the biggest secret agent in a while), but the editing doesn’t even allow that small pleasure.

From Paris with Love has to be Besson’s biggest failure (at least as a producer of simple action pictures). He didn’t write the script, which is apparently a big mistake, since Paris is all over the place. It tries to use buzz words–terrorist–to get a lot of effect and it’s pretty lame throughout. There’s a compelling train wreck factor to it, however.

Travolta’s a little more restrained in one of the more miscast roles I can remember (it’s clearly a role for someone like Jean Reno) and he’s so wrong for the role, one feels sympathy. Jonathan Rhys Meyers–playing an American with a questionable accent–is awful. I kept waiting for Travolta’s brash, rude secret agent to make a comment about Rhys Meyers’s silly mustache.

Morel’s direction is weak, a bland action movie style. It’d probably be impossible to shoot this script well.

Kasia Smutniak and Richard Durden probably give the only two acceptable performances.

It’s lousy.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Pierre Morel; screenplay by Adi Hasak, based on a story by Luc Besson; director of photography, Michel Abramowicz; edited by Frédéric Thoraval; music by David Buckley; production designer, Jacques Bufnoir; produced by Besson, India Osborne and Virginie Silla; released by EuropaCorp.

Starring John Travolta (Charlie Wax), Jonathan Rhys Meyers (James Reece), Kasia Smutniak (Caroline), Richard Durden (Ambassador Bennington), Yin Bing (M. Wong), Amber Rose Revah (Nichole), Eric Godon (Foreign Minister) and François Bredon (The Thug).

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