The Legend of Wonder Woman (1986) #1

Lww1

How far can unbridled enthusiasm take something? Well, if The Legend of Wonder Woman is any indication, unbridled enthusiasm can go a very long way.

Kurt Busiek and Trina Robbins have the task of saying farewell to the pre-Crisis Wonder Woman. It opens in the present, so having Robbins’s Golden Age-inspired art showing modern events immediately forces the reader to adjust. For example, Robbins doesn’t spend a lot of time on backgrounds in action shots; her style forces the reader to pay attention to the establishing shots.

But those panels aren’t empty. There are often a lot of people reacting. The time Robbins didn’t spend on detailed backgrounds goes into the background cast.

The story itself is complicated pretending to be cute. Busiek concentrates quite a bit on character (Wonder Woman, the villain, Wonder Woman’s nasty little kid sidekick) before the big monster attack finish.

The abrupt ending’s problematic though.

The Legend of Wonder Woman 1 (May 1986)

The Legend of Wonder Woman #1How far can unbridled enthusiasm take something? Well, if The Legend of Wonder Woman is any indication, unbridled enthusiasm can go a very long way.

Kurt Busiek and Trina Robbins have the task of saying farewell to the pre-Crisis Wonder Woman. It opens in the present, so having Robbins’s Golden Age-inspired art showing modern events immediately forces the reader to adjust. For example, Robbins doesn’t spend a lot of time on backgrounds in action shots; her style forces the reader to pay attention to the establishing shots.

But those panels aren’t empty. There are often a lot of people reacting. The time Robbins didn’t spend on detailed backgrounds goes into the background cast.

The story itself is complicated pretending to be cute. Busiek concentrates quite a bit on character (Wonder Woman, the villain, Wonder Woman’s nasty little kid sidekick) before the big monster attack finish.

The abrupt ending’s problematic though.

B 

CREDITS

Legends Live Forever; writers, Trina Robbins and Kurt Busiek; artist, Robbins; colorist, Nansi Hoolahan; letterer, L. Lois Buhalis; editor, Alan Gold; publisher, DC Comics.

Girl Comics (2010) #1

Girl comics 1

Marvel should have tried harder with Girl Comics. It’s way too easy just to say, Girl Comics is bad comics.

The opening from Colleen Coover is weak. It’s so trite, the story featuring Nightcrawler getting saved by a nameless woman (writing by G. Willow Wilson, art by Ming Doyle) doesn’t seem so bad. The writing’s weak, but the art isn’t.

The next story, a Venus story (which breaks Atlas continuity), is okay. Trina Robbins’s script is okay and the Stephanie Buscema retro good girl art is nice.

Valerie D’Orazio and Nikki Brown then do a surprisingly effective Punisher tale. It’s contrived, but also sort of great.

Lucy Knisley has a cute Doctor Octopus cartoon.

Then it’s Robin Furth and Agnes Garbowska doing an illustrated text adventure for the Richards kids. Garbowska’s art is fantastic, making up for the rushed text.

Devin Grayson and Emma Rios’s X-Men finale is awful.