Men of the Sky (1942, B. Reeves Eason)

Men of the Sky opens with General Henry H. Arnold addressing a graduating class of air cadets. Charles P. Boyle’s Technicolor photography is glorious and Harold McKernon’s editing is outstanding and Sky feels like an almost too precious time capsule.

Only then the realism shatters when Arnold starts directly addressing actors, not actual air cadets. All of a sudden, though Boyle’s photography remains wondrous throughout, Sky‘s propaganda becomes a chore to stomach. The problem’s Owen Crump’s script. Crump also narrates the short, so he’s at least enthusiastic in that responsibility, but he can’t string the elements together.

I think Eleanor Parker–as the wife of one of the pilots–has the most lines (like two of them); she’s only in it for thirty seconds. None of the cast are particularly distinctive, not even with Crump trying so hard.

Even as propaganda, Sky is bad. Crump’s too awful a writer.

Ghost Story (1972) s01e07 – Half a Death

Half a Death gets off to a troubled start thanks to Tod Andrews. He’s only in the episode for the first scene, but he’s just awful. Watching Eleanor Parker act opposite him is painful. While Henry Slesar’s script is no great shakes in the dialogue department, Parker still turns in a good performance. Andrews just flops.

Then Pamela Franklin–the protagonist–shows up and Death gets quite a bit better. Franklin and Parker are both excellent and they often make Death worthwhile. Slesar has a decent plot, if a bit contrived at times.

But the ending is so contrived, even with good supporting performances from Signe Hasso and, to a lesser extent, Stephen Brooks, it’s hard to get involved. Slesar jumps forward too much in the timeline, making his long scenes the only effective ones.

The ending is summary.

Still, Franklin and Parker give outstanding, complex performances.