Tag: Terence Stamp

  • The Limey (1999, Steven Soderbergh)

    The Limey is all about the foreshadowing. It’s about flashbacks, flash-forwards, and flash asides, but the foreshadowing figures into all of those devices. It’s got a “twist” ending, which then informs previous scenes but not like figuring out Terence Stamp is a ghost or whatever. Instead, it’s knowing something about why he half-smiles—and only something,…

  • The Sicilian (1987, Michael Cimino), the director’s cut

    The Sicilian is based on a Mario Puzo novel about a real person and real events. The director’s cut runs about thirty minutes longer than the original theatrical version, which no doubt desperate distributors and financiers took away from director and co-producer Cimino in hopes of recouping some of their cost. Alas, no luck. It…

  • The Mind of Mr. Soames (1970, Alan Cooke)

    Part sci-fi, mostly drama gem about a thirty-year old man (Terence Stamp) who’s been in a coma since birth. Modern medical science allows surgeon Robert Vaughan to wake him up, but Stamp’s regular doctor (Nigel Davenport) has some unscientific (in the name of science, of course) “childrearing” expectations, leading to tragedy. Exquisite performance from Stamp.…

  • Alien Nation (1988, Graham Baker)

    A film like Alien Nation encourages a lot of thought. For example, I think I’ve decided I want to say the film is badly directed (by Baker) while being poorly lighted (by Adam Greenberg). I already know I wanted to say it was atrociously edited. Kent Beyda’s cuts don’t just jump (there’s a car chase…

  • Young Guns (1988, Christopher Cain)

    Young Guns is an Emilio Estevez vanity project, which was once a thing. Estevez lacks the screen charisma and acting ability, but it’s a confusing part. He’s Billy the Kid and he’s playing him like a manipulative but somehow still likable psychopath. For about half the film, John Fusco’s script can keep up with Estevez–director…

  • Red Planet (2000, Antony Hoffman)

    Red Planet is an awful film. It’s got decent performances from Val Kilmer and Tom Sizemore, awful ones from Carrie-Anne Moss, Terence Stamp and Benjamin Bratt and a mediocre one from Simon Baker. The script fails Baker, who actually has what should be the film’s most interesting character arc, so it’s not entirely his fault.…

  • Superman II (1980, Richard Lester)

    First SUPERMAN sequel (much of it filmed back-to-back with the original) has Terence Stamp leading a trio of supervillains on a worldwide takeover (aided by Lex Luthor Gene Hackman) while Superman and Lois Lane are busy having an ill-advised and ill-plotted (if singular) romance. Great performances from Margot Kidder and Christopher Reeve. Sometimes excellent, sometimes…

  • Superman II (1980, Richard Donner), the Richard Donner cut

    Almost thirty years after producers Alexander and Ilya Salkind fired Richard Donner from the SUPERMAN sequel, Donner constructed his own cut from deleted scenes, screen tests, and even some newly shot footage. Besides offering some great Gene Hackman material, the new cut doesn’t have much to recommend it. For example, the highly touted Marlon Brando…

  • Superman II (1980, Richard Lester), the restored international cut

    I read about the Superman II restored international cut (RIC)–a fan effort to compile all the extra Superman II footage from various television prints, mostly from foreign markets–in Entertainment Weekly. It said to head over to Superman Cinema to get a free copy, just so long as you provide free copies. By that time, however,…