The Stop Button


Superman II (1980, Richard Donner), the Richard Donner cut


Superman II might just be broken. Watching “The Richard Donner Cut,” it’s an easy conclusion to come to–the greatly anticipated Marlon Brando scenes feature a callow, selfish Superman–not one who’s bursting with love for Lois Lane, like in the theatrical version. Also problematic is the utter lack of super–it’s a Superman movie, but this version of Superman II doesn’t actually have any real Superman scenes besides the rescue of the kid at Niagara Falls and then the last act city fight (which isn’t any better). He’s not doing anything super… it’s tedious, because so much of the Lois and Clark romance is shredded. I remember a review for the Daredevil director’s cut pointing out, although Jennifer Garner has the same amount of screen time, the film’s so much less painful because of the additional scenes without her. Well, this cut of Superman II has less Superman–and even has less Kryptonian supervillains–but it seems like they’re in it a lot more… and it’s not a good thing. They were shallow characters to begin with and they aren’t any better here.

While it was nice to see the Daily Planet newsroom under Donner’s vision again–and the maligned ending actually works out fine (if you forgive the uselessness of taking away Lois’s memory of Superman, which makes no sense in any version and does a disservice to the romance), well even–the only really nice stuff in the Donner Cut is extra Gene Hackman scenes. There are only a couple, both with Valerie Perrine, and they’re both great. I was hoping Perrine would show up again, but alas, she did not and the film was coasting along–most of the scenes not working because there was nothing connecting them anymore, with all the cuts of Lester-filmed material–until Hackman shows up again.

There’s one scene created from a combination of screen tests and, while the differences are noticeable, it’s a well-acted scene–even if it isn’t better than what was in the theatrical version. There are new special effects, some of which are fine, some of which needed something as simple as a black level fix and didn’t get it. John Williams has sole composer credit now and it’s all music from the first film recycled and you can tell. This version of Superman II sounds all wrong.

It’s unfortunate, after all the hubbub, it didn’t turn out to be a major achievement or something. Like I said, maybe it just doesn’t work in any form.


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