Dead to Me (2019) s02e05 – The Price You Pay

Rat murderer John Ennis is back for the first season, which starts this “Dead to Me” out on a high point. The only time it really weakens from there is when Suzy Nakamara and Sam McCarthy show up. Annoying neighbor Nakamara feels like a leftover bad idea from season one; she’s just there to let new James Marsden guy know Christina Applegate is a liar about old James Marsden. He already should be suspicious because Linda Cardellini let something slip, which led to her beating the shit out of her self in the bathroom in an almost too real for this show moment. And Applegate was already suspicious when he met her at her office.

But he’s not because he’s a lovable dope. In fact, if it weren’t for McCarthy at the end of the episode screwing up royally yet again, I’d have thought new Marsden and Applegate might hook up. They do end up on a date of sorts, where he bares his soul regarding his missing brother. Meanwhile, Cardellini is on a date of sorts of her own, with 420-friendly retirement home resident’s daughter, Natalie Morales. It’s unclear if Cardellini knew it was a date but she’s not surprised when Morales talks about a girlfriend. As long as it’s not queer coding. “Dead to Me” has got enough problems without queer coding.

There’s some fun stuff with—okay, when I say fun, I mean it’s miserably awkward stuff—with Valerie Mahaffey. Applegate’s just now finding out mother-in-law Mahaffey on the deed to her house, something the husband neglected to tell her. Marsden’s a delight. He’s a chiropractor, which is just perfect. Plus he dances. And he had a heart defect so he’s real sympathetic.

Morales is awesome. I need to watch “Middleman.”

“Dead to Me” season two, even with McCarthy sucking the life out of it both as a character and as a petulant teen actor, is a lot of fun. A lot of it is because it’s more fun to watch Applegate try to cover up a crime than to solve one.

Dead to Me (2019) s02e01 – You Know What You Did

Maybe the first half of the episode is following up from last season’s cliffhanger. The second half of the episode is then trying to get “Dead to Me” to a place where the show can go on. There’s been a seismic change to the relationship between Christina Applegate and Linda Cardellini, a seismic cast change—or has there been—but for the first half, writer (and show creator) Liz Feldman does whatever she can to convince the viewer things aren’t going to go exactly where they’ve got to go for the show to continue.

It’s kind of a predictable forced pivot because the episode starts six or eight hours after the dramatic cliffhanger, meaning we’ve missed a bunch. We’re also going to learn—because there have got to be secrets in Feldman’s scripts, secrets from the supporting cast so you can get a scene and then haranguing for the rest of the episode and secrets from the audience so you can gin up a big surprise.

So when Feldman reveals the first secret, it’s not even one anyone would’ve thought about. Sure, Applegate and Cardellini aren’t with it enough to think of a cover story for Applegate’s kids, Sam McCarthy and Luke Roessler—who the show now refer to as “the boys,” like there was a memo to the writers’ room to make Applegate seem more like a mama bear this season.

Applegate’s plot this episode is coming to terms with the cliffhanger as we find out, no, she did fire off a revolver outside in her shishi poopoo L.A. suburb. Because even the “Dead to Me” writers aren’t that stupid. And when they actually get to the reveal at the end, it’s not a bad one. And they didn’t wait six episodes to do it like I was expecting.

Meanwhile, Cardellini is living out of her car. Actually, out of a dead friend’s car because there’s no room for Cardellini to crash at the retirement home. We get to meet the newest retirement home resident, Renee Victor, and her cool, 420-friendly daughter Natalie Morales. Are they important? Don’t know, but they give Cardellini something to do before Applegate has need of her again.

Turns out show punchline and punching bag Suzy Nakamura has the block wired for video, which means no matter what Applegate covers up in her backyard, there’s video of the front and there’s damning evidence on there.

So she calls Cardellini to talk and ends up bringing her back in so they can watch “Facts of Life” and Cardellini can reveal she grew up homeless and make Applegate check her privilege (sort of) and we can get on with season two.

Or, as the shocking cliffhanger asks, can we?