Tag Archives: Seth MacFarlane

Ted (2012, Seth MacFarlane)

Ted has a number of successes; it’s a little hard to identify its most extraordinary one. Is the CG teddy bear, voiced by director MacFarlane, who seems entirely real throughout? Or is it the script, which makes it feasible for a magical, living teddy bear to exist in the real world? Or is it simpler–Ted shows MacFarlane can bring the pop culture references and hilarious inappropriate jokes to live action from adult cartoons?

It’s a good movie, with some major third act problems (mostly revolving around Mila Kunis, whose character arc isn’t believable); Ted goes between being a heartwarming Rob Reiner picture Reiner never made and mocking Rob Reiner pictures. MacFarlane’s direction is surprisingly strong and confident, though he does have a cinematographer (Michael Barrett) who can’t shoot video.

And while MacFarlane and his fuzzy little alter ego are the “star” of Ted, leading man Mark Wahlberg does the film’s heaviest lifting. He makes it believable he’s acting opposite, for extended periods, this talking stuffed animal. There’s an absolutely astounding fight scene between Wahlberg and Ted; it’s too amazing in fact, because one can’t help but wonder how they were able to do it. The special effects technicals overpower the scene’s effectiveness.

The script has a lot of great jokes–the best humor sequence is probably the first one, which had me choking for air–and the supporting cast is strong.

Only Kunis, as Wahlberg’s love interest, falters. She can’t pull off the sophistication required.

Ted‘s an outstanding comedy.

3/4★★★

CREDITS

Directed by Seth MacFarlane; screenplay by MacFarlane, Alec Sulkin and Wellesley Wild, based on a story by MacFarlane; director of photography, Michael Barrett; edited by Jeff Freeman; music by Walter Murphy; production designer, Stephen J. Lineweaver; produced by Jason Clark, John Jacobs, MacFarlane, Scott Stuber and Wild; released by Universal Pictures.

Starring Mark Wahlberg (John Bennett), Mila Kunis (Lori Collins), Seth MacFarlane (Ted), Joel McHale (Rex), Giovanni Ribisi (Donny), Patrick Warburton (Guy), Matt Walsh (Thomas), Jessica Barth (Tami-Lynn), Aedin Mincks (Robert), Bill Smitrovich (Frank) and Sam J. Jones as the Savior (of the Universe); narrated by Patrick Stewart.


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Hellboy II: The Golden Army (2008, Guillermo del Toro)

Once I heard the concept for Hellboy II–Hellboy versus elves–I knew what was going on. Del Toro was going to make a (tonal) sequel to Pan’s Labyrinth instead of an actual one to Hellboy. As my wife said on the way home, there’s a big difference between demons and elves. It’s like del Toro’s psychic and was jockeying for his Hobbit gig before it was even announced.

It’s hard to identify the movie’s biggest problem. There’s the flushing of the original’s atmosphere for a fantasy one (it’s never scary or disturbing–Luke Goss’s villain is created from special effects, not a performance… he’s as intimidating as Bronson Pinchot on “Perfect Strangers”). Del Toro also fills the film with fight scenes in confined areas and he’s not particularly good at making the fight scene interesting. I mean, Hellboy’s never going to die, right? The one great “fight” scene is more an action sequence, with Hellboy trying to save a baby while battling a giant tree. That scene works, mostly because it’s more like the action in the first film.

As a sequel, Hellboy II compares terribly. It isn’t just the script, it’s practically everything. But the script’s lack of real development is problematic. The present action is short, probably two days, and the setup reveals the characters aren’t much different than they were in the first one (four years ago). Except del Toro has changed Jeffrey Tambor’s character completely (for the worse, he’s a babbling buffon and the idea of him holding an advanced degree is sillier than the elves), in one of the movie’s stranger moves. The other negative developments stem from del Toro’s direction… basically, he’s asking his actors to do things they cannot.

First, Doug Jones. Doug Jones cannot act. From the first moment he utters a sound, the absence of David Hyde Pierce is felt. Jones tries to mimic Pierce’s performance, but a) doesn’t sound smart and b) can’t really properly emote. Jones isn’t an actor, voice or otherwise. He’s the guy they dub over. Still, del Toro does give him some amusing scenes–most of the scenes not involving the elves are okay, even if they are just filler.

Worse is Selma Blair, though I almost think del Toro noticed how terrible she is doing a Ripley impression. She’s in it sparingly after a point and other times she’s just silent and background. Del Toro’s subplot for Blair and Ron Perlman is idiotic, mainly because it leads to him ripping off the end of Patriot Games (sort of).

Perlman’s great.

John Hurt shows up for a second and he’s real good. Seth McFarlane’s a poor choice for the headless German guy, because McFarlane just does his German accent from “American Dad.” I guess it’s fine, but it’s kind of stupid. The only other actor is Anna Walton as Goss’s sister and Jones’s love interest. Her character is terribly written, but I suppose she isn’t atrocious.

Besides the last shot, Guillermo Navarro does a wonderful job shooting the film. His lighting works well with del Toro’s frequent CG composite shots (del Toro’s an amazing fan of CG composites apparently). The special effects are good and the visuals are interesting and impressive and all… even if it is dark and claustrophobic. Hard to see why the elves are so great if they live in caves all the time. Danny Elfman’s score is terrible, derivative of his Batman work–and most everything else he’s ever done.

Hellboy II kind of reminds me of Batman Returns, actually. Del Toro got free reign much like Burton did on that film (del Toro even apes some Nightmare Before Christmas here). The difference is what Burton did with his free reign and the narrative pointlessness del Toro commits with his here.

Perlman makes the whole thing passable–and del Toro still is a fine director, he’s just become an insipid storyteller.

1/4

CREDITS

Directed by Guillermo del Toro; screenplay by del Toro, based on a story by del Toro and Mike Mignola and on the Dark Horse comic books by Mignola; director of photography, Guillermo Navarro; edited by Bernat Vilaplana; music by Danny Elfman; production designer, Stephen Scott; produced by Lawrence Gordon, Mike Richardson and Lloyd Levin; released by Universal Pictures.

Starring Ron Perlman (Hellboy), Selma Blair (Liz Sherman), Doug Jones (Abe Sapien), Jeffrey Tambor (Tom Manning), Luke Goss (Prince Nuada), Anna Walton (Princess Nuala), Seth MacFarlane (Johann Kraus) and John Hurt (Professor Buttenholm).


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