Blame It on the Bellboy (1992, Mark Herman)

Herman opens Blame It on the Bellboy with his two weakest features—and the film’s full of weaknesses so to start with the worst ones? It’s sort of impressive he set it up to immediately stumble.

First, Andreas Katsulas’s mobster. The film takes place in Venice and Katsulas plays the only Venetian. He plays the role with an absurd New York accent. It’s an incompetent performance.

Second, Bronson Pinchot’s titular bellboy, who sets the film’s wacky events into motion by not understanding English. The surprising thing about Bellboy is the absence of a plagiarism suit as Herman rips off scenes and dialogue from “Fawlty Towers,” apparently telling Pinchot just to ape Andrew Sachs’s Manuel on that program. Unfortunately, even in someone else’s role, Pinchot can’t give a good performance.

Then the principals show up. Bryan Brown, Dudley Moore and Richard Griffiths. Griffiths is the best as minor British politician looking for sleazy romance in Venice. Brown’s an assassin, Moore’s a nebbish on assignment from a bad job. Moore actually manages to be likable; Brown barely makes an impression. In about half his scenes, he doesn’t even speak, just nods.

The female cast is Patsy Kensit, Penelope Wilton and Alison Steadman. The script’s response to the character enduring a sexual trauma is to make her comically unsympathetic. Steadman is initially treated well (and her performance is good) before Herman too makes her a target for audience laughter.

Only Steadman keeps afloat, giving the film’s best performance.

Herman makes a bad Bellboy.

0/4ⓏⒺⓇⓄ

CREDITS

Written and directed by Mark Herman; director of photography, Andrew Dunn; edited by Michael Ellis; music by Trevor Jones; production designer, Gemma Jackson; produced by Steve Abbott and Jennifer Howarth; released by Hollywood Pictures.

Starring Dudley Moore (Melvyn Orton), Bryan Brown (Mike Lawton), Richard Griffiths (Maurice Horton), Andreas Katsulas (Scarpa), Patsy Kensit (Caroline Wright), Alison Steadman (Rosemary Horton), Penelope Wilton (Patricia Fulford) and Bronson Pinchot (Bellboy).


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The Naked Gun 2½: The Smell of Fear (1991, David Zucker)

Watching The Naked Gun 2½, its’s almost immediate clear the missing Z-A or is it A-Z (being Jerry Zucker and Jim Abrahams) are the ones who made the first film funny. They don’t contribute to this one’s script—instead it’s just the other Z, David Zucker (who also directs) and Pat Proft. The script is so 1991 topical it’s painful… and it’s lame too.

The topical stuff—George H.W. Bush is a character (being the president and all) and there’s a lot about the Democratic Party being in trouble—would probably be funny on a sitcom. Or maybe on a “Saturday Night Live” sketch (why they didn’t get Dana Carvey is beyond me). Then there’s some stuff about evil energy companies. That aspect is still topical, I suppose.

Particularly stupid is the film taking place in Washington, D.C. They explain Leslie Nielsen is just visiting from Los Angeles, but apparently George Kennedy and O.J. Simpson transferred.

Nielsen’s able to keep it together, even though the script only gives him a good laugh every three minutes (instead of every thirty seconds like the original), but Kennedy looks exhausted. Simpson’s good. Priscilla Presley is weak too (Zucker and Proft break her and Nielsen up off screen so they can reunite in the story—awful decision). Robert Goulet’s awful.

The film also has a stupid female police commissioner character just like the first one. It’s a subtle bit of misogyny.

The jokes occasionally work, but it’s a lukewarm, lousy sequel.

1/4

CREDITS

Directed by David Zucker; screenplay by David Zucker and Pat Proft, based on a television series by Jim Abrahams, David Zucker and Jerry Zucker; director of photography, Robert M. Stevens; edited by Christopher Greenbury and James R. Symons; music by Ira Newborn; production designer, John J. Lloyd; produced by Robert K. Weiss; released by Paramount Pictures.

Starring Leslie Nielsen (Det. Lt. Frank Drebin), Priscilla Presley (Jane Spencer), George Kennedy (Det. Captain Ed Hocken), O.J. Simpson (Det. Nordberg), Robert Goulet (Quentin Hapsburg), Richard Griffiths (Dr. Albert S. Meinheimer / Earl Hacker) and Jacqueline Brookes (Commissioner Anabell Brumford).


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