Tag Archives: Phil Roman

It’s an Adventure, Charlie Brown (1983, Sam Jaimes, Phil Roman, and Bill Melendez)

Despite being an anthology of eight different stories, It’s an Adventure, Charlie Brown does not have many adventures. Well, not in the adventurous sense. They’re still good, they’re just not… adventures. The special runs forty-seven minutes, with the eight stories having differing lengths.

The first three stories are the most substantial. There are two Charlie Brown (Michael Catalano) stories and then a Peppermint Patty (Brent Hauer) and Marcie (Michael Dockery) one.

The stories all have titles, which nicely delineates them. The first is “Sack,” in which Charlie Brown becomes so obsessed with baseball he develops a rash on his head. The rash looks like baseball stitches. His solution is to wear a paper shopping bag over his head; his doctor’s solution is for him to get away from it all and go to camp. There he becomes incredibly popular… because he’s got a bag over his head.

It’s a good start to Adventure, with a nice performance from Catalano, and some great moments. Charles M. Schulz adapted all of the stories from the Peanuts comic strip, so the proverbial tires are in good shape throughout, regardless of story length. There’s also a wonderfully absurdist punchline to the whole thing.

The next story is “Caddies,” which has Peppermint Patty and Marcie working as caddies for a couple bickering golfers. Hauer and Dockery are both good, there are some strong jokes, and some rather nice animation. Again, not really an adventure, but a good bit. It too has a strong punchline, while the rest of the stories have far more unassuming ones.

Like “Kite,” the last of the three longer stories. Charlie Brown finally cracks and attacks the Kite Eating Tree, resulting in a threatening letter from the EPA. Like any sensible eight year-old, upon receipt of the letter, he runs away. He doesn’t get too far before he finds himself coaching a bunch of younger kids’ baseball team. It’s a really sweet story, as Charlie Brown bonds with the kids, particularly little Milo (Jason Mendelson) who’s so young he can’t hold a bat.

Then there are two much shorter stories, one with Schroeder (Brad Schacter) and Lucy (Angela Lee Sloan) fighting as he tries to play his piano, the other with Sally (Cindi Reilly) having school problems. Both are visually simple, but the one with Schroeder and Lucy is so spared down the focus is all on the characters’ interaction. It’s rather effective thanks to Schacter and Lee Sloan’s performances.

The next two stories–”Butterfly” and “Blanket” are longer, but not as long as the opening three. And “Butterfly” is almost stellar, it just ends too soon. A butterfly lands on Peppermint Patty’s nose. After she falls asleep, Marcie takes the butterfly off and coaxes it to fly away. Only then Marcie tells Peppermint Patty the butterfly turned into an angel before flying away, convincing Patty she’s a practical prophet. She goes from telling the various Peanuts kids about the miracle before deciding to take her message to houses of worship. It’s good and funny and all, but for a moment it seems like Schulz is getting downright ambitious with Peppermint Patty’s (still very Peppermint Patty-like) evangelicalism.

“Blanket” has Lucy getting fed up with Linus’s blanket–to be fair, the blanket does attack her multiple times–and trying to dispose of it in various ways. Obviously these attempts cause Linus (Rocky Reilly) considerable consternation–and panic–as he tries to save the blanket. It’s a good story, with a lot of excellent animation (Adventure goes all out animation-wise); Reilly’s decent and Lee Sloan is good, even if she’s exceeding unlikable. Lucy gets cruel.

Then the Adventure ends with a short “Woodstock” and Snoopy bit. It’s adorable and, like most of the special, reserved and subtle.

While It’s an Adventure, Charlie Brown lacks in frenzied imagination, the good performances, good direction, good animation, and strong writing more than compensate. It’s never particularly exciting, it’s always assured and well-executed. The longer, ten or twelve minute stories are a rather good length for the segments. The anthology format works out well. It’s too bad the directors don’t get credit for their individual segments; it’d be interesting to know who did what.

2/3Recommended

CREDITS

Directed by Sam Jaimes, Phil Roman, and Bill Melendez; written by Charles M. Schulz; edited by Roger Donley and Chuck McCann; music by Ed Bogas and Desirée Goyette; produced by Melendez and Lee Mendelson; aired by the Columbia Broadcasting System.

Starring Michael Catalano (Charlie Brown), Angela Lee Sloan (Lucy van Pelt), Rocky Reilly (Linus van Pelt), Brent Hauer (Peppermint Patty), Michael Dockery (Marcie), Cindi Reilly (Sally Brown), Brad Schacter (Schroeder), Jenny Lewis (Ruby), Johnny Graves (Austin), and Jason Mendelson (Milo).


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Is This Goodbye, Charlie Brown? (1983, Phil Roman)

Is This Goodbye, Charlie Brown? opens with this gag of Linus and Snoopy fighting over Linus’s blanket. It doesn’t relate to the special’s story and has a completely different tone–and an almost cruel Linus (Jeremy Schoenberg)–but it does echo later on a little. Goodbye is about Linus and Lucy (Angela Lee Sloan) moving away; Linus gives his blanket to Snoopy in an unexpected and tender scene. So the opening works. Even if Linus is a little too intense during it.

The first half of the special is the moving away story. Linus telling Charlie Brown (Brad Kesten), Lucy telling Schroeder (Kevin Brando). Sally, played by Stacy Heather Tolkin, spends the van Pelt siblings last few days in town in utter denial. Not just about them moving, but about Linus making a date to take her to the movies. While Charlie Brown is all over the place trying to cope with losing his best friend–including a trip to Lucy’s psychiatry booth (she’s sold the practice)–Sally’s sitting on the steps waiting for her date.

There’s a nice scene where Lucy and Linus have a farewell luncheon and make the mistake of hiring Joe Cool Catering. No belly laughs, but some rather nice smiles. Goodbye is all about the emotions resulting from the move, with Peppermint Patty (Victoria Vargas) deciding she’s got to help Charlie Brown recover. But it then becomes all about whether or not she’s actually got a crush on him, which is most of the second half of Goodbye.

Really good performances from Kesten and Lee Sloan, but everyone’s solid. Charles M. Schulz handles the moving seriously, giving Tolkin and Brando some strong material as well. Vargas is probably the most uneven performance but she’s still good. Michael Dockery is fine as Marcie, who doesn’t get much to do but give Vargas a sounding board.

A rather nice score from Judy Munsen, good direction from Roman… Goodbye is a fine half hour. Schulz’s script is earnest and sincere and nicely realized by Roman and the animators.

2/3Recommended

CREDITS

Directed by Phil Roman; written by Charles M. Schulz; edited by Roger Donley and Chuck McCann; music by Judy Munsen; produced by Bill Melendez and Lee Mendelson; aired by the Columbia Broadcasting System.

Starring Brad Kesten (Charlie Brown), Stacy Heather Tolkin (Sally Brown), Victoria Vargas (Peppermint Patty), Jeremy Schoenberg (Linus van Pelt), Angela Lee Sloan (Lucy van Pelt), Michael Dockery (Marcie), and Kevin Brando (Schroeder / Franklin).


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It’s Magic, Charlie Brown (1981, Phil Roman)

It’s Magic, Charlie Brown is the dramatically inert tale of Charlie Brown (Michael Mandy) turning invisible. It takes a while for him to turn invisible, with the first half or so of the special spent on a magic show. Magic opens with Charlie Brown demanding Snoopy go to the library to better himself. Because Charlie Brown is a bit of a jerk?

Snoopy gets a magic book and, mere moments later, is putting on his first show. He goes through a series of tricks, culminating in turning Charlie Brown invisible. The tricks are… eh. Charles M. Schulz’s script doesn’t have any decent laughs in it, but Snoopy dealing with a heckling kid is all right and the Peppermint Patty-related scene could be a lot worse. Everything in Magic is drawn out. Director Roman will just let a moment hang, with nothing going except the annoying Ed Bogas and Judy Munsen music. Even when things aren’t dragging, they’re not engaging. Snoopy’s got to learn how to make Charlie Brown visible again, leading to a scene in his doghouse lair where he’s learning alchemy. It could be a funny scene. Probably. It’s not though. No one’s invested enough in Magic to make it play well.

Maybe if the gags weren’t so tepid. Snoopy and Woodstock giggling together before the opening titles is the most charming the special ever gets and there’s not even a gag to it. They’re just giggling. They appear to be having a good time; no one else in Magic ever does.

The second half–after Charlie Brown scares sister Sally (Cindi Reilly)–is mostly Lucy motivating Snoopy to make Charlie Brown visible again. Sydney Penny plays Lucy. She’s got a lot of dialogue in the last third. She’s not good.

Magic is way too long and way too light. There are some neat animation ideas–Charlie Brown, invisible, in the rain–but also some rather wanting animation sequences. During the period where Charlie Brown’s invisible and the shots are just panning over backgrounds, it feels like they just didn’t want to be troubled with animating a full special.

Plus that exceptionally grating music just gets worse as Magic goes along.

1/3Not Recommended

CREDITS

Directed by Phil Roman; written by Charles M. Schulz; edited by Roger Donley and Chuck McCann; music by Ed Bogas and Judy Munsen; produced by Bill Melendez; aired by the Columbia Broadcasting System.

Starring Michael Mandy (Charlie Brown), Sydney Penny (Lucy van Pelt), Cindi Reilly (Sally Brown), Casey Carlson & Shannon Cohn (Marcie), Rocky Reilly (Linus van Pelt), and Brent Hauer (Peppermint Patty).


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Someday You’ll Find Her, Charlie Brown (1981, Phil Roman)

Someday You’ll Find Her, Charlie Brown is the cringe-inducing tale of Charlie Brown (Grant Wehr) and Linus (Rocky Reilly) stalking a girl Charlie Brown saw at a football game on TV. She was in a “honey shot,” which is already makes things cringe-y because these are eight year-old kids. Regardless of whether or not Charlie Brown ought to be scoping out strange girls on television, why is the cameraman doing it?

With Snoopy and Woodstock in tow, Linus and Charlie Brown go to the football stadium to look for clues. Charlie Brown’s too scared to talk to the ticket sellers, so he sends in Linus. Meanwhile–in one of the special’s few amusing moments–Snoopy and Woodstock get into trouble in the weight-lifting room. The ticket sellers don’t have the information so they send the boys to the downtown ticket office, where season ticket holder information is kept.

And because it’s a cartoon for kids, the downtown ticket office is more than happy to provide Linus (because Charlie Brown is too scared to talk to them) with the girl’s address. So then they go see the girl–ditching Snoopy and Woodstock–and it’s the wrong girl. She’s “comically” grotesque, not beautiful; why would Charlie Brown like her. He’s a pig at eight, after all.

So then they call their next suspect, who has a grating phone voice so Linus tells Charlie Brown he doesn’t want to meet her. But then they go anyway.

The quest continues, with the boys ending out at a farm–where Snoopy and Woodstock are also coincidentally headed (they’re not there to assist, just roaming). Snoopy gets into it with a cat, which is… almost amusing, but Someday has gotten so icky at this point it’d be hard for anything in it to amuse.

The finale skips the valuable life lesson Charlie Brown could’ve learned–not having Linus talk to everyone for him–and instead concentrates on his sad situation. It’s a really downbeat, perfunctory ending. If there were a morale, Someday might not be so bad. But there’s not. It’s just over. Thankfully.

Wehr’s exceptionally unlikable as Charlie Brown. He’s not active enough to be a creep, but he’s a little turd. Reilly’s performance is probably worse. He’s just nowhere near as unlikable. Bad writing from Charles M. Schulz throughout (so bad I was surprised to see he’d written Someday; the opening titles only credit him with creating “Peanuts,” not writing the special as well–which is his usual credit).

Unbearable music from Ed Bogas and Judy Munsen. Exceptionally lazy animation.

Someday is a weird waste of time, probably of interest only to people considering how popular children’s entertainment of the eighties contributed to male entitlement and toxic masculinity.

Nice backgrounds maybe? And, even poorly animated, Snoopy and Woodstock are funny. Or would be if their gags weren’t in this icky cartoon.

1/3Not Recommended

CREDITS

Directed by Phil Roman; written by Charles M. Schulz; edited by Roger Donley and Chuck McCann; music by Ed Bogas and Judy Munsen; produced by Bill Melendez; aired by the Columbia Broadcasting System.

Starring Grant Wehr (Charlie Brown), Rocky Reilly (Linus van Pelt), Nicole Eggert (Loretta), Melissa Strawmyer (Teenager), and Jennifer Gaffin (Mary Jo).


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