Mike Carey

The Unwritten 31 (January 2012)

Frankenstein’s Monster does join the gang, but he doesn’t really do anything. He’s muscle, without a lot of dialogue; it’s too bad. This issue features Tom wielding the magic, Lizzie and Richie freaking out and a lot of action. Carey and Gross and M.K. Perker (who finishes) do a great job with the changing genres. […]

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The Unwritten 30 (December 2011)

Carey’s resolution is unexpected. It’s sort of celebratory and life affirming (and shows he and Gross could easily spin-off titles from Unwritten) but it also has the series’s first big fight scene in a while. And it’s a comic book fight scene. While all the detours into literature (Dickens, Moby-Dick), one doesn’t often think of […]

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The Unwritten 29 (November 2011)

Carey sort of sidesteps the maximum tragedy to keep the narrative more interesting. It requires him to bring in a new character and pretend he’s been there for an issue… it’s an unfortunate oversight in an issue already riddled with problems. It’s still a good issue, of course. But the scenes are unbelievably repetitive. Tom’s […]

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The Unwritten 28 (October 2011)

Not a happy issue. Not one bit. Carey is forecasting an inevitable, devastating turn of events in his flashbacks. He’s really turning the screws too, as Tom’s dad meets a woman and, in an extreme Romeo and Juliet fashion, is going to have to kill her. Besides the bad guys killing all the people Tom […]

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The Unwritten 27 (September 2011)

Carey packs this issue. Maybe not with content–there’s a lot of conversation, then some extraneous stuff in a flashback (Vince Locke nicely inks Gross for those pages)–but with atmosphere. This kind of issue endears a series to the reader and Carey’s able to do it without forcing. The issue also opens with a muted “Wire” […]

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The Unwritten 26 (August 2011)

Carey manages to be predictable and not. This issue closes off a two-parter and opens up something else… it’s not clear what yet, but definitely something. There’s a lot more action than I expect from Unwritten, maybe because it’s the regular action–guns, guys in body armor and ski masks. Gross handles it all fine. There’s […]

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The Unwritten 25 (July 2011)

Creepy business abound this issue. Well, not really. It’s implied at the end. Along with some more backstory into Tommy’s childhood, which Mike Carey has a lot of fun teasing. The issue opens with Lizzie and Savoy on a what appears to be a comical mission (and stays one until the end) before Tommy appears. […]

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The Unwritten 9 (March 2010)

Holy bejeezus. I try not to give a lot away (about good stuff) on the Fondle so talking about this issue is going to be difficult. I’m a little stunned as to what Carey just did, in terms of what he’s doing with The Unwritten–he’s introduced the triumvirate into the “real” world too, mirroring the […]

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The Unwritten 8 (February 2010)

Here’s why I love Carey (and The Unwritten). This issue is an interlude issue, but very different from the last interlude issue, which was about Rudyard Kipling. Instead, it’s about the corrupt warden who’s got Tom Taylor in his jail. It’s just about him and his family. Yes, it ties into the other story, but […]

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The Unwritten 7 (January 2010)

A lot happens this issue–Lizzie goes to jail, it’s revealed she knows the flying cat, Tom’s cellmate is a reporter, the warden is corrupt–but nothing really compares to Tom’s conversation with the Frankenstein Monster. Carey gives it all away–at least some of all of it–in the conversation, as it becomes clear Tom is Tommy, but […]

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The Unwritten 6 (December 2009)

Carey starts something new here, in Unwritten‘s second arc, which I didn’t expect before. Well, he actually introduces a couple things I didn’t expect. First, Lizzie Hexam, is working with someone in her quest to… do whatever… with Tom. Second, Tom can apparently bring characters forth from written works–this issue ends with Tom discovering Frankenstein’s […]

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The Unwritten 5 (November 2009)

The first time I read this issue, it sort of shocked me. I mean, Carey spends the issue rewriting history; or something close to it, anyway. He spends the issue looking at how the way writing and writers work in The Unwritten has effected other writers, not just the characters in the main story. It […]

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The Unwritten 4 (October 2009)

The fourth issue–I’m trying to remember if something magical is revealed each issue, but I don’t think so, just the first and second–ends on a wacky cliffhanger. I mean, it ends on a very dramatic, horrific note, but then on this, well, sweet one too. The potential for The Unwritten is just amazing–if Carey pulls […]

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The Unwritten 3 (September 2009)

The third issue drastically changes pace. Instead of it being a summary of events, it’s more “real time,” with Tom’s trying to figure out the variety of weird things going on. Not the weird things overall, just the weird things going on since the end of the last issue. There’s a lot more humor this […]

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The Unwritten 2 (August 2009)

The second issue introduces magic to the protagonist for the first time. Unfortunately, it’s one of the issue’s weaker moments, because his reaction is nowhere near intense enough. The series has become, at least for the moment, a quest story–the quest for knowledge–and it’s definitely an approach Carey is comfortable playing with. The revelations we […]

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The Unwritten 1 (July 2009)

The premise of The Unwritten is simple–what if a Harry Potter-like character turned out to be real–but the way Carey weaves the story, the intricacies, the endless setups, makes The Unwritten so much more than its concept, it’s hard to remember the premise was ever simple. Carey introduces maybe nine things this issue–protagonist Tom Taylor’s […]

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