Tag Archives: Lilly Wachowski

Bound (1996, Lana and Lilly Wachowski)

I always thought Gina Gershon got top billing for Bound–even though she’s only the lead for the first third or so–but it’s actually Jennifer Tilly, which is somewhat more appropriate. I say somewhat because at a certain point, Tilly too loses the spotlight. For a good twenty minutes in the middle, the film belongs to Joe Pantoliano.

Pantoliano’s performance here is probably his best; even though it’s firmly in his oeuvre of slimy weirdos… there’s something singular about this one. He’s always scary, even before he’s supposed to be, because his character is so clearly disturbed (he’s a dissatisfied middle-level mobster).

But Pantoliano doesn’t take over until almost halfway through–Bound takes place over a week or so, following Gershon getting a job renovating the apartment next to Tilly’s–and during the Gershon and Tilly romance, it’s got to be perfect and it is perfect.

While the film definitely has its roots in film noir, the Wachowskis break certain rules. Making it about a lesbian couple isn’t one of those rules. In fact, their carefulness in showing that relationship–especially exploring Tilly’s role in it–is what makes Bound different and some of what makes it great. The dialogue in these scenes is superior.

There’re some great supporting performances–John P. Ryan, Christopher Meloni.

It has a small cast in a small film. Bound’s the greatest play adapted to screen (of an original screenplay).

Bound is brilliant–so brilliant, I didn’t even make any Speed Racer jokes.

4/4★★★★

CREDITS

Directed by Lana and Lilly Wachowski; written by the Wachowskis; director of photography, Bill Pope; edited by Zach Staenberg; music by Don Davis; production designer, Eve Cauley; produced by Stuart Boros and Andrew Lazar; released by Gramercy Pictures.

Starring Jennifer Tilly (Violet), Gina Gershon (Corky), Joe Pantoliano (Caesar), John P. Ryan (Micky Malnato), Christopher Meloni (Johnnie Marzzone), Richard C. Sarafian (Gino Marzzone) and Mary Mara (Sue the Bartender).


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Ninja Assassin (2009, James McTeigue)

Has there ever been a major studio ninja movie before? As far as I know, no. There were the Cannon ones in the eighties, but those, obviously, don’t count.

Actually, I didn’t even know Ninja Assassin opened theatrically. I’m slow keeping up with what qualifies one film to be released theatrically while another not. The main reason I can’t believe Ninja Assassin made it to the theaters is its standing as an enjoyable bad film. I mean, it’s not entirely bad, but it’s a complete piece of crap. It’s a ludicrous, terribly written disaster (apparently the producers hired J. Michael Straczynski to come in and punch up the script and he applied his usual level of horridness to it), but it’s not bad. McTeigue’s direction is absolutely fabulous. The fight scenes mix choreography and blood in a way I haven’t seen done as successfully since The Street Fighter. He really makes the film thrilling. It’s a symphony of violence in a way I’m not sure I’ve seen before–it’s completely and utterly mainstream, but still over the top, excessive and totally silly.

Unfortunately, McTeigure’s directing skills don’t include the ability to direct actors. The only reasonable performance in the film is Naomie Harris, who’s a) too good for this kind of tripe and b) wonderful. The lead, Rain, plays a sensitive Terminator, but with less emotive abilities than Schwarzenegger. It might have something to do with the language barrier.

Ninja Assassin is utterly useless and a lot of diverting entertainment.

1/4

CREDITS

Directed by James McTeigue; screenplay by Matthew Sand and J. Michael Straczynski, based on a story by Sand; director of photography, Karl Walter Lindenlaub ; edited by Gian Ganziano and Joseph Jett Sally; music by Ilan Eshkeri; production designer, Graham ‘Grace’ Walker; produced by Grant Hill, Joel Silver, Lilly Wachowski and Lana Wachowski; released by Warner Bros.

Starring Rain (Raizo), Naomie Harris (Mika Coretti), Rick Yune (Takeshi), Ben Miles (Ryan Maslow), Sho Kosugi (Lord Ozunu), Anna Sawai (Kiriko), Sung Kang (Hollywood) and Richard van Weyden (Ibn Battuta).


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