Tag Archives: Judge Reinhold

Ruthless People (1986, Jim Abrahams, David Zucker and Jerry Zucker)

Clocking in at a whopping ninety minutes, Ruthless People feels a tad undercooked. Lots of trailer-ready sequences, lots of memorable moments, nothing to really connect them. The ZAZ directing team (it’s probably been sixteen years since I’ve thought about them) is adequate, but they don’t really direct actors very well here, so the casting goes a long way (Bill Pullman suffers the most, having the easiest character to play and most of his scenes fall flat).

Danny DeVito is great–turning in a performance so good I thought about renting Twins–but he’s not really getting any help from the directors and the script just plays him as a jerk, so DeVito isn’t really doing anything very difficult. Weight loss figures greatly in to the story–it saves kidnappers Helen Slater and Judge Reinhold from doing jail time–as Bette Midler loses twenty pounds in four days and has the Stockholm syndrome going in full effect.

The movie’s mostly missed opportunities–not counting the cartoon relationship between DeVito and Midler, which is mostly implied–particularly Reinhold and Slater’s touching love story… also implied. They’re the down-on-their-luck young couple who made a big mistake and haven’t been able to recover. There’s a lot of possibility (especially with a Michel Colombier score), but it doesn’t go anywhere.

Thanks to all the problems–the directors and the writer (I have no idea if the abbreviated storytelling is the script or the direction, but it’s unfair to put it all on the directors)–the most amusing parts of Ruthless People are the two cops, played by Art Evans and Clarence Felder, who are enduring all the defects along with the audience. A mix approach–the kidnappers, the cops, the husband–required traditional storytelling in Ruthless People….

Instead, the directors just made an unfilling mess.

1/4

CREDITS

Directed by Jim Abrahams, David Zucker and Jerry Zucker; written by Dale Launer, based on a story by O. Henry; director of photography, Jan de Bont; edited by Gib Jaffe and Arthur Schmidt; music by Michel Colombier; produced by Michael Peyser; released by Touchstone Films.

Starring Danny DeVito (Sam Stone), Bette Midler (Barbara Stone), Judge Reinhold (Ken Kessler), Helen Slater (Sandy Kessler), Anita Morris (Carol Dodsworth), Bill Pullman (Earl Mott), William G. Schilling (Chief Henry Benton), Art Evans (Lt. Bender), Clarence Felder (Lt. Walters), J.E. Freeman (Bedroom Killer) and Gary Riley (Heavy Metal Kid).


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Gremlins (1984, Joe Dante)

Okay, I don’t get it. How did Zach Galligan not succeed as an actor? He’s not astoundingly good or anything, but he’s incredibly likable. From his filmography, it looks like he just disappeared… Anyway, I watched Gremlins because I haven’t seen it in ten years and, I don’t know, I thought Blockbuster was sending me the special edition (they didn’t).

What’s incredible about Gremlins is that it’s a special effects spectacular, back when they knew how to make them. I watched this film and constantly wondered how they did the models, the moving faces, the puppetry (I assume it was puppetry). That feeling is incredible today, because I never feel it anymore. At best, it’s something like Hellboy–watching the ‘making of’ documentary and being surprised they didn’t just use CG.

But Gremlins isn’t just odd because it’s visually interesting, it’s also interesting–and amusing–because they made it to amuse the audience. There is no reality in the storytelling–the Gremlins know pop culture references within an hour of birth–and once you let it go, Gremlins is amusing. A lot of it doesn’t work. For example, the connection between “gremlins” in machines to the Gremlins of the title, that’s all forced. It’s not funny enough either, though I saw the second one before the first, and I think they got that one right.

Oh, and I love how all the characters seem to meet just before the film begins. Presumably, since it’s a small town, everyone would know how Phoebe Cates’ dad died. No one does. It just doesn’t work that there’d be these young stars stuck there with no other young people around… the small size of the town really limited that aspect of the film’s “reality.” It gets the quotation marks because I’m not sure they cared about reality too much. You can’t force a purely amusing film–Gremlins writer Chris Columbus has been trying to do that again for twenty years–so it’s an admirable feat.

I’m trying to think if there’s anything I forgot… Hoyt Axton is really good… I think that’s it….

1.5/4★½

CREDITS

Directed by Joe Dante; written by Chris Columbus; director of photography, John Hora; edited by Tina Hirsch; music by Jerry Goldsmith; production designer, James H. Spencer; produced by Michael Finnell; released by Warner Bros.

Starring Zach Galligan (Billy), Phoebe Cates (Kate), Hoyt Axton (Rand Peltzer), Frances Lee McCain (Lynn Peltzer), Polly Holliday (Mrs. Deagle), Keye Luke (Grandfather), John Louie (Chinese Boy), Dick Miller (Mr. Futterman), Jackie Joseph (Mrs. Futterman), Scott Brady (Sheriff Frank), Harry Carey Jr. (Mr. Anderson), Corey Feldman (Pete), Glynn Turman (Roy Hanson) and Judge Reinhold (Gerald).