It’s Batman versus the crooked coal miners and guess who wins?

Not Batman.

Okay, maybe I’m abridging a little, but not by much. Conway makes Batman a little too human here, way too fallible (he gets hit in the head with a shovel–isn’t he supposed to know when people are sneaking up on him?).

It’s an odd complaint and one I wouldn’t have without that development, because the humanity’s otherwise nice. Most of the issue–after the sort of prologue with Blockbuster finding some nice people to take him in–is all about Batman worrying about Blockbuster (this Blockbuster is the innocent one, not the evil one).

The Batgirl backup story–with Barbara Gordon getting framed for murder–is a little better than the previous issue’s entry. There’s still a lot of talking and way too much story is conveyed in it, but the frame-up is interesting enough.

CREDITS

Night of the Savage; writer, Gerry Conway; penciller, Don Newton; inker, Dan Adkins; colorist, Adrienne Roy; letterer, Ben Oda. The Tightening Web!; writer, Cary Burkett; penciller, Jose Delbo; inker, Joe Giella; colorist, Gene D’Angelo; letterer, Albert De Guzman. Editor, Paul Levitz; publisher, DC Comics.

The main story is dedicated to Will Eisner, but besides some rather obvious Spirit references, I don’t get it. I mean, it’s not like Batman spends the issue getting beat up.

That one thing aside–it’s not even a problem, it’s just a strange dedication–the issue’s pretty good. It’s Batman the adventurer, with some nice moments between Bruce and Alfred and confusing ending. Conway forgets a bunch of stuff–Batman goes after the villain, the Squid, for some stolen documents… but we never find out what happens to them. And the upbeat finish is goofy.

The Newton artwork is just fantastic, with some really iconic panels. Conway might be forgetful, but his Batman’s fun to read.

The Batgirl backup, however, is a mess. The artwork is good, but the dialogue is way too expository and there are maybe eight principal characters, far too many for a feature story, much less a backup.

CREDITS

Bad Night in Baja; writer, Gerry Conway; penciller, Don Newton; inker, Dan Adkins; colorist, Adrienne Roy; letterer, Ben Oda. Barbara Gordon… Murderess!; writer, Cary Burkett; penciller, Jose Delbo; inker, Joe Giella; colorist, Gene D’Angelo; letterer, Milt Snapinn. Editor, Paul Levitz; publisher, DC Comics.