Tag Archives: John Powell

Small Fry (2011, Angus MacLane)

I find Small Fry to be a little confusing. Not just in the narrative, though the plot also has an incredibly big hole, but the approach in general. It’s a Toy Story short, only MacLane gives it enough plot it could be a feature, not just a short.

A “Happy Meal” version of Buzz Lightyear tries to impersonate the real one, only to be found out by Woody. Meanwhile, the real Buzz has to get out of a fast food joint. He meets some other discarded Happy Meal toys and cuteness ensues.

The big surprise is Tim Allen and Tom Hanks being back. While the animation is still wonderful, this short screams Disney cash in. It seems like the exact thing Pixar didn’t want, back when Disney threatened to make Story sequels alone.

Small Fry manages to be cute and competent, but pointless.

Though Jane Lynch’s scene is really funny.

1/3Not Recommended

CREDITS

Directed by Angus MacLane; written by Josh Cooley; animated by Eric Luhta; music by John Powell; released by Walt Disney Pictures.

Starring Tim Allen (Buzz Lightyear), Tom Hanks (Woody), Joan Cusack (Jessie), John Ratzenberger (Hamm), Teddy Newton (Mini Buzz) and Jane Lynch (Queen Neptuna).


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Green Zone (2010, Paul Greengrass)

Most of Green Zone is the best film I’ve seen about the Iraq war, simply because Greengrass is often satisfied with letting the film just be concrete situations (he opens with Matt Damon and his crew having to deal with a sniper and it establishes a great tone). However, Green Zone isn’t just a war movie… it’s an action conspiracy thriller and one set in reality, so eventually the film has to turn Damon into a superhero.

The film bombed, which isn’t much a surprise given how Americans are happiest when avoiding critical thinking and intellectualism. And calling Green Zone intellectual is a stretch—it’s a slick Hollywood picture. It’s like Syriana distilled into simple syrup and added into an Orange Julius smoothie. But screenwriter Brian Helgeland does slick better than almost anyone and he turns in a fantastic script, just one with some problems….

Like how the film isn’t willing to condemn anyone except a singular corrupt Bush administration official… and U.S. soldiers who torture civilians are eventually given a pass too. For all the hubbub, it’s very diplomatic to xenophobes. It does team Bourne collaborators Damon and Greengrass again. It’s not like those movies were made for intellectuals.

The acting’s universally solid. Damon’s excellent (though even he can’t sell the end), as is Brendan Gleeson (playing George Clooney from Syriana). Jason Isaacs is great as one of the villains. Khalid Abdalla is good as Damon’s Iraqi sidekick.

It’s predictable, but extraordinary well-done thanks to Greengrass and Helgeland.

2.5/4★★½

CREDITS

Directed by Paul Greengrass; screenplay by Brian Helgeland, inspired by a book by Rajiv Chandrasekaran; director of photography, Barry Ackroyd; edited by Christopher Rouse; music by John Powell; production designer, Dominic Watkins; produced by Greengrass, Tim Bevan, Eric Fellner and Lloyd Levin; released by Universal Pictures.

Starring Matt Damon (Chief Warrant Officer Roy Miller), Greg Kinnear (Clark Poundstone), Brendan Gleeson (Martin Brown), Amy Ryan (Lawrie Dayne), Khalid Abdalla (Freddy), Yigal Naor (Al Rawi) and Jason Isaacs (Lieutenant Briggs).


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