Frasier (1993) s04e09 – Dad Loves Sherry, the Boys Just Whine

It’s a pretty good episode, even if most of the laughs are cheap and mean. The cheap starts right away, with Peri Gilpin getting her one scene in the episode opposite David Hyde Pierce. She’s celebrating and the punchline’s gross funny. And Hyde Pierce’s reactions to it are great. But then the episode’s done with her because it’s going to be too full, starting with returning guest star Jane Kaczmarek, who’s having coffee with Kelsey Grammer during the Gilpin and Hyde Pierce bit.

Kaczmarek was the cop who Grammer liked but she liked his ex-cop dad more; apparently she and John Mahoney have been happily—albeit unmentionably—dating since the end of last season. Only now she’s breaking it off and telling Grammer because… well, to set up the joke where Grammer tells Mahoney before Kaczmarek has a chance. Mahoney has an unexpected reaction to the bad news because he really wanted to dump her to date Marsha Mason, his bartender at—wait, is it at the bar where Mahoney met Kaczmarek. I can’t keep the bar names straight. I think it was McGinty’s—yep, it’s McGinty’s. So, um, there’s a whole other layer to the already iffy episode.

Mahoney introduces Hyde Pierce, Grammer, and Jane Leeves to Mason on his birthday; they’re all going out together. Only Mason is too “brass and flamboyant” for Grammer and Hyde Pierce so they’re miserable. Plus she makes them drink cheap champagne.

The rest of the episode is about Grammer and Hyde Pierce trying to decide whether or not to tell Mahoney they don’t like Mason, while Mahoney’s thrilled with his new romance. Once it all finally comes out, there’s a big argument scene—with the best acting easily from Mahoney, as he’s the only one where there’s any reality to the character; Grammer and Hyde Pierce are playing petulant caricatures, albeit with some appropriate details, but they’re being cruel and mean. The resolution isn’t about them being dickheads, it’s about how Mahoney’s a dickhead too—comparisons of Mason to Grammer and Hyde Pierce’s spouses—and it’s a very strange finish.

Though given the highpoint is either Gilpin with the grody celebration topic, Grammer not letting an upset Leeves have too good a whine, or some banter about Hyde Pierce’s imaginary protege—actually, wait, Grammer teasing Hyde Pierce for wetting the bed as a kid is probably a good forecast of the episode’s empathy.

There are some amusing moments—Keenan’s script is better micro than macro—and Mason’s a lot of fun, but it’s awkward to turn all your male regular cast into jerks because you can’t find better laughs.

Frasier (1993) s03e20 – Police Story

Police Story is a standout episode—and writer Sy Rosen’s sole “Frasier” credit—from the very start. It’s a moving car shot with Kelsey Grammer and Peri Gilpin, where Gilpin’s getting ready in the back seat and getting Grammer to speed because they’ve got to get to her date on time. It’s a fantastic sequence and going to kick off season three regular director Philip Charles MacKenzie’s best-directed episode.

Grammer’s speeding gets him pulled over and Gilpin convinces him to turn on the celebrity to try to get out of trouble. Grammer’s hesitant until it turns out the cop is the fetching Jane Kaczmarek, who’s a fan of his show. Lucky for him.

Thanks to having an ex-cop for a dad (John Mahoney), Grammer’s able to find out Kaczmarek’s identity… but not in a stalker way, obviously, in that cute eighties and nineties romantic pursuit (stalker) way. It’s a cop bar so Mahoney tags along, only to discover Kaczmarek was a devoted student from Mahoney’s academy teaching days. And she’d love to go out on a date with him, which all happens when Grammer’s off getting drinks for the table.

It turns out to be a great episode for Mahoney and Grammer, albeit separately to some extent because Mahoney can’t really go to Grammer for advice. Instead he goes to other son David Hyde Pierce and gives Hyde Pierce a wonderful comedic subplot as he giddily anticipates Grammer’s inevitable humiliation. It doesn’t seem bad when Hyde Pierce does it.

Anyway. After the big twist with Kaczmarek going for the older model, then there’s another when Grammer finds out about it, and a finale third twist in the middle of twist the viewer’s in on but the characters aren’t. That last twist gives Grammer a bunch of good acting fodder and Grammer delivers. The second half of the episode—starting with a great scene between Grammer and Jane Leeves and her friends—is a spotlight on Grammer and he’s got a whole bunch to do.

Grammer’s excellent, Mahoney’s excellent, Kaczmarek’s a good guest, Gilpin’s stuff is outstanding (she gets to help close it up), MacKenzie’s direction, Rosen’s script. If Story is any indication, it’s too bad Rosen didn’t write more “Frasier.” The MacKenzie direction too is just superb.