Flying Padre has three types of impressive shots. The first two types involve an airplane. The short is about a New Mexico priest who flies around his 4,000-square mile parish. There are interior and exterior shots of the plane and director Kubrick gets some fantastic shots from inside out. He’s also got some great shots of the plane from the ground, though they’re occasionally a little jerky. Given how smooth the camera movements tend to be in Padre, the jerks have got to be unintentional.
Then there are the close-ups. Kubrick gets these great shots of the priest’s parishioners when he’s performing services. Sometimes there are great shots involving the priest himself, but more often it’s when Kubrick can get a shot of the ostensibly enraptured parishioners.
The shots with the priest tend to involve action, not reflection. Flying Padre is–in its nine minutes–a bit of an adventure story. The priest, Father Stadtmueller, goes from funeral to children’s counselor to erstwhile ambulance driver. I suppose the funeral’s real? Though it seems a little macabre either way. Because the children’s counselor bit–and then the ambulance flier bit–those two are definitely staged. They might be based on real events, but they’re dramatized for Flying Padre.
The short’s got no natural sound. There are occasional diegetic sounds, like the bullied child knocking on the priest’s door or the priest’s birds chirping, but they didn’t record any sound during filming. Or, if they did, they didn’t use it, which is too bad because Father Stadtmueller is frequently talking. There’s constant narration to explain what’s going on.
The narration also establishes the narrative distance, something Kubrick relies on once the staging is obvious. When Father Stadtmueller has to fly a mother and her sick baby to a medical services, there are shots of the mother talking to the Father. While they’re on the plane. And it’s obvious there’s no way they both could’ve fit in the plane with a camera.
Kubrick even pokes fun at the priest at one point, when the narration describes him as a crack shot with a rifle and then Father Stadtmueller misses not just the bullseye but the any of the target’s rings.
There are some excellent shots and some great location shooting to get Padre through.
Flying Padre’s interesting but disposable. Kubrick’s got some ambitious filmmaking but no ambitions for the short itself.
Photographed and directed by Stanley Kubrick; edited by Isaac Kleinerman; music by Nathaniel Shilkret; produced by Benjamin Burton; released by RKO Radio Pictures.
Starring Fred Stadtmueller; narrated by Bob Hite.