Rucka deals with some really big issues in the front half of the issue–like finally making it clear where Forever comes from (or at least where her brother says she comes from), not to mention the resolution to the kidnapped brother arc.

The second half of the issue has a little psychological fallout and then the big political fallout from the first half. Unfortunately, Rucka overplays the political fallout. It’s interesting stuff, but it’s not dramatic. Lark can do talking heads. Instead of doing talking heads, though, Rucka has him do… listening heads. It’s just not dramatic, it’s hard to keep interest.

And then the cliffhanger, which could have been really dramatic, is quizzical. Rucka assumes readers are rather familiar with the supporting cast without giving them any reminders. It’s written for the trade–not in terms of not enough action, but that familiarity.

But the first half’s awesome.

It’s a decent issue, but not one with much content. Most of the politicking takes place off page and Rucka even turns the cliffhanger resolution into an expository recap. He does it to show Forever’s burgeoning romance with one of the other Lazari, which is good from the character development standpoint… Only it’s all Rucka really does this issue.

He ends on a setup for what’s next–and I really hope this issue’s developments for Forever (friends, family, romantic interests) aren’t just fodder for later conflicts–but nothing really happens. Lark doesn’t get much to draw; three pages of Forever and her romantic interest’s flirtations and petting seems like a combination waste of pages and of Lark’s talents. Talking heads with one or two lines a panel….

Still, Rucka has a good amount of steam on Lazarus and it gets through. Forever’s a fantastic protagonist, even in a dull entry.

If you had told me twelve issues in, Lazarus would be a comic I just had to read first the week it came out, I never would have believed it. You can go back and read the rather negative posts about the first five issues.

But Rucka has found the series. Especially with this arc about the political intrigue with the families; it’s a little soapier and a little showier, but it works out beautifully. He gives Lark the most basic action–the Lazari sparring with each other in the gym–but then gives him some great talking heads and a grand ball to render. Lark does a fantastic job.

The change in the comic seems to be from Rucka’s concentration on the intrigue–and Forever’s character development–instead of him having to guide the reader’s judgment with the families. Or something. Who knows. Who cares. It’s an excellent comic.

Not a torture issue, thank goodness; instead it's a Lazarus issue with a lot of well-done political intrigue. There's not a lot of fighting, but there are some stylized stand-offs. Lark can do talking heads, he can do stand-offs. The issue's the perfect medium grade Lark–he's not stretching, but he's surpassing all goals.

Rucka gets to do political plotting related to the previous issue–the torture one–but also back to the first story arc. All of those awkward opening issues with too much melodrama have laid the groundwork for Rucka to get creative with his storytelling. His requirements are a lot different now.

There's some good character stuff with Forever, which has been a long time coming. She's slowly becoming a worthwhile protagonist instead of just an interesting character.

Lazarus has been on slow burn but it's starting to get downright reliable issue after issue. It's very solid work from Rucka.