Mignola looks good in black and white. There are some very effective panels in Hellboy. The writing helps. He knows when to write and when to just let the art do its work. Up until the end of this issue, it’s almost like Hellboy is a passive force in the story. He’s an unknown quantity. […]
MoreThis issue features something I never wanted to see… a Paleolove pin-up from Davis. You can tear it out and put bad art up on your wall. His artwork is really weak for the first half, maybe his worst ever. It gets a little better for the second half of the boring installment. The writing […]
MoreIs this issue the first appearance of Hellboy? I think it might be my first full Hellboy (not B.P.R.D.) story. It’s good, but Mignola does something weird with the conclusion. He sets the whole thing up, then has Hellboy come in and reveal it all before the first installment’s done. Makes all the setup a […]
MoreEver have a friend who could draw really well? Moeller’s art on Shadow Empires is like a friend who can draw well. He takes time with it, he works at it… but it’s still totally not ready for the big leagues. It’s somehow even rougher than some of the worse art Presents has published. The […]
MoreYolen and Vess have an absolutely fantastic fairy tale story here. It’s not technically a fairy tale (it’s layered, a nursemaid tells the story to a child, who it directly concerns) but it’s just wonderful. Vess’s art here is superior–he’s able to convey action, antiquity and fear. There’s one moment where it confuses, then it […]
MoreOh, I finally get it. Paleolove means love in the Paleolithic era. To pay Davis a complement (my first?), he’s never tried so deliberately to tug on the heartstrings until now so I never really gave the title a thought. What amazes me is the artwork. He hasn’t gotten any better with figures since his […]
MoreI didn’t know it was possible for me to care about Paleolove and I’m not entirely sure I really do. But I am mad at Davis for the way he ends this story. It seems like the last Paleolove (yay!) but he kills off a side character in the exposition and it’s a really weak […]
MoreThe Predator story keeps getting worse (it turns out it’s just a prologue to some limited series, I love it when Dark Horse uses Presents to advertise their licensed properties). Given Raskin’s worsening artwork and Stradley’s bad writing–he uses a government report as the narrative exposition, he’s used similar devices in the past successfully… here […]
MoreThe Predator story continues and its problems become real clear. Stradley’s trying to take a “real” approach to certain elements–gang members, serial killers–and it just comes off as silly with the Predator running around. Raskin’s art suggests he’s unprepared for such a big assignment (and Wiacek seems to have been brought in to correct things […]
MoreGuinan’s Aliens finish is incredibly weak, featuring not just an Alien reference but some guy in the future running around in an Indiana Jones outfit. The plotting is so weak, it might be construed as a spoof… But I think Guinan’s serious. He’s got some very profound-sounding exposition. Davis does a one page riff on […]
MoreI think Davis’s Delia & Celia has definitively made me hate all fantasy, if I didn’t already dislike it enough. It’s like he sits around trying to think of how much blathering exposition he can fit in each panel, like it’s a contest to one up himself. The story’s completely incomprehensible at this point, but […]
MoreChadwick’s Concrete isn’t so interesting this issue for what he does say, but for what he doesn’t. Concrete’s sidekicks get lost in the ghetto and a bunch of black guys attack the car–presumably to beat the guy and “gang rape,” Chadwick’s words, the woman. When Concrete and the guy are sitting around calmly discussing it […]
MoreThank goodness there’s a Bacchus in here because otherwise it’d be a complete loss. Guinan’s art continues to be acceptable on Heartbreakers, while he and Bennett’s writing just gets worse and worse. Some of the issue is with them trying to do too much in such a short amount of pages… But mostly they just […]
MoreThe Aliens vs. Predator story is most impressive for Norwood’s illustration… but not of aliens or Predators. The story opens on some alien world and it’s just breathtaking. Once the actual story starts (Stradley’s two conversationalists talking about hunting experiences while Predators hunt aliens), it can’t compete with those visuals. Still, for what amounts to […]
MoreUgh, another “annual.” Sixty-four pages of Dark Horse Presents tends to be a little much. The American is a little long here–it’s very passive and not at all dramatic. On the other hand, Peterson shows he used to be a lot more interesting of an artist. The Wacky Squirrel strip from publisher Richardson is dumb. […]
MoreArcudi has sort of taken reality and chucked it out the window of Homicide. I mean, I assume he’s basing the story about the assassin who eats his victims’ eyes on a real case… but it’s not believable the same detectives who had the cannibal case are going to have this one. And he’s done […]
MoreDuranona has something like two action scenes this part of Race of Scorpions. Two completely incomprehensible action scenes. Did the editor see something different or did they really get this material in and think it’d look good? At least this installment doesn’t rip off Star Wars. Speaking of incomprehensible, Davis is back with a new […]
MoreI hate to say it, but Ron Randall’s gotten better. Not as a writer, of course; Trekker has actually gotten to be worse written since Dark Horse Presents started. The story this issue is practically unintelligible. On the other hand, Randall’s inking has gotten a lot better. The art’s still not so great, but the […]
MoreThis issue is a sixty-four page giant–only most of the extra is filler. They could have gotten away with a lot less pages. The Mr. Monster story is real short (and lame). Gary Davis has a short space alien story showing he’s read some Arthur C. Clarke (it’s long, wordless filler). Rick Geary’s got a […]
MoreWow, what an issue. Chadwick uses Concrete to bookend a short story. Or he uses double bookends to frame a story. It’s kind of pointless, so it fits with the other Concrete stories… At least the story’s mostly about people, so Chadwick’s art is strong. Strong enough. It really feels like something he had in […]
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