Moon 44 (1990, Roland Emmerich)

Watching Moon 44, one can imagine Roland Emmerich sitting in a Bonn theater during Blade Runner, loudly opining he can do the same thing. Only with an incompetent German crew.

There’s nothing good about Moon 44, as it doesn’t turn out to be a romance between nebbish Dean Devlin and brooding Michael Paré. If it were a gay romance, it’d at least be innovative. Instead, Devlin just moons over Paré, likely due to a combination of bad acting, bad directing and terrible writing.

The script’s so bad Lisa Eichhorn is terrible. She’s even worse than Paré, who’s still better than Devlin and Leon Rippy. Rippy is really awful.

It’s hard to determine the order of bad performances, actually. But Malcolm McDowell is okay, which is surprising, and Roscoe Lee Browne maintains composure in a tiny role.

Brian Thompson might give the best performance of the principals.

The special effects are a great example of why budget and competence are important. Shockingly, Emmerich and cinematographer Karl Walter Lindenlaub are able to give a sense of scale, but the mechanicals of the effects are just bad. You can’t see the wires on the “flying” spacecraft, but the restricted movement makes them obvious. Moon 44, except the recognizable (if bad) actors, looks like a hobbyist home movie. An electric train set, only with spaceships.

Joel Goldsmith’s score, though derivative, isn’t bad. It’s better than the movie deserves.

The big surprise is Eichhorn. One feels embarrassed for her. The rest being awful is expected.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Roland Emmerich; screenplay by Dean Heyde and Oliver Eberle, based on a story by Heyde, Eberle, Emmerich and P.J. Mitchell; director of photography, Karl Walter Lindenlaub; edited by Tomy Wigand; music by Joel Goldsmith; production designer, Oliver Scholl; produced by Heyde and Emmerich; released by Warner Bros.

Starring Michael Paré (Felix Stone), Lisa Eichhorn (Terry Morgan), Dean Devlin (Tyler), Brian Thompson (Jake O’Neal), Malcolm McDowell (Major Lee), Stephen Geoffreys (Cookie), Leon Rippy (Master Sergeant Sykes), Jochen Nickel (Scooter Bailey), Mehmet Yilmaz (Marc), John March (Moose Haggerty), Drew Lucas (Riffle), David Williamson (Lt. Gallagher) and Roscoe Lee Browne (The Chairman).


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Universal Soldier: Regeneration (2009, John Hyams)

Wow, Peter Hyams made the only sequel to a Stanley Kubrick film and now he’s the director of photography on garbage like Universal Soldier: Regeneration. What’s so exceptionally lame about this movie is Hyams–the director–and the screenwriter’s disinterest is making an interesting story for original stars Jean-Claude Van Damme (though he comes a little closer) and Dolph Lundgren (but Lundgren’s apparently finally learned to act, from his thirty-some lines) and instead want to make a franchise for Mike Pyle, who plays a moronic U.S. soldier.

Interesting, though I’m sure unintentional is the film’s politics–basically, the U.S. is filled with war junkies who put their noses in places don’t belong.

Pyle’s performance is exceptionally bad and the movie doesn’t even give him a fun death scene. I’d been waiting like an hour to watch him get decapitated but it’s really just a bunch of nonsense to set up a sequel.

Given Van Damme’s absurdly small part–I hate feeling like I want to see more Van Damme–I wonder if the filmmakers added he and Lundgren as an afterthought, instead of just doing the adventures of Pyle the redneck Universal Soldier.

Peter Hyams always shot his own films poorly and he doesn’t do his son any favors. Regeneration looks like someone did a contrast filter in Photoshop (maybe Hyams did, it’s probably easier). The DV is bad looking, especially with the lighting.

Laughable performances from Corey Johnson and Garry Cooper, but Emily Joyce does fine.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by John Hyams; screenplay by Victor Ostrovsky, based on characters created by Richard Rothstein, Christopher Leitch and Dean Devlin; director of photography, Peter Hyams; edited by Jason Gallagher and John Hyams; music by Kris Hill and Michael Krassner; production designer, Philip Harrison; produced by Craig Baumgarten and Moshe Diamant; released by Foresight Unlimited.

Starring Jean-Claude Van Damme (Luc Deveraux), Dolph Lundgren (Andrew Scott), Andrei Arlovski (NGU), Mike Pyle (Captain Kevin Burke), Corey Johnson (Col. John Coby), Garry Cooper (Dr. Porter), Emily Joyce (Dr. Sandra Flemming), Zahary Baharov (Commander Topov), Aki Avni (General Boris) and Kerry Shale (Dr. Colin).


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