Wow. This issue is simply wonderful.
Fraction’s not worrying about setting up the characters, he’s not worried about coming up with an interesting hook, he’s just trying to have fun. And Hawkeye is fun. Lots of fun.
It’s kind of like a TV show. Clint and Kate bicker while they fight crime. Kind of like he and Mockingbird used to do, only without baggage.
The issue consists of Clint going out to buy tape to label his trick arrows, meeting a girl, hooking up, getting involved with some Mini car-driving bad guys, saving the girl, all while bickering with Kate and showing why trick arrows are really important.
Aja’s probably essential. I can’t imagine the issue being so much for–or so rewarding with so little content–without Aja. He’s already stylized but the action just takes it to another level. He never sacrifices anything.
It’s a fantastic comic.
CREDITS
Cherry; writer, Matt Fraction; artist, David Aja; colorist, Matt Hollingsworth; letterer, Chris Eliopoulos; editor, Sana Amanat and Stephen Wacker; publisher, Marvel Comics.
The second issue isn’t what I was expecting. Fraction doesn’t exactly give Clint a lot more personality–he’s from Iowa, to answer my question from last issue and he’s not playing protector of the downtrodden here. Actually, even though he hires an assistant, it’s unclear what Clint’s doing.
I realized, finishing the first issue of Hawkeye, is how little the comic has to do with Hawkeye. It’s about Clint Barton, New Yorker. For some reason I always assumed Clint was a West Coast kind of guy, but Matt Fraction writes him as a empathetic New Yorker. And David Aja draws a great New York City. It’s not seventies gritty, but eighties grimy. It’s a great setting.





