Tag Archives: Benjamin Bratt

Red Planet (2000, Antony Hoffman)

Red Planet is an awful film. It’s got decent performances from Val Kilmer and Tom Sizemore, awful ones from Carrie-Anne Moss, Terence Stamp and Benjamin Bratt and a mediocre one from Simon Baker. The script fails Baker, who actually has what should be the film’s most interesting character arc, so it’s not entirely his fault.

Moss, Stamp and Bratt have terrible writing too–Moss gets stuck with the atrocious expository narration–but not so bad it excuses their performances. Of the three, Bratt’s probably the best as the jerk astronaut.

So besides bad writing, lots of bad acting and terrible direction from Hoffman (almost thirteen years after Planet’s release, he still hasn’t gotten another film job–thank goodness), what’s wrong with Red Planet? Well, it’s fundamentally unsound. It’s a big budget action sci-fi movie about a fictional science problem. It pretends to be a real story (Apollo 13 is a major influence) and never acknowledges the artifice. That disconnect–and the awful acting–makes it hard to care about the characters.

Except Kilmer, who’s very appealing in a comedic performance.

The terrible music from Graeme Revell and shockingly bad editing from Robert K. Lambert and Dallas Puett don’t help things either.

Worse, there are a couple really good scenes in the film–Kilmer’s instrumental to both; Sizemore and Baker help out for one of them–and Hoffman doesn’t know how to make them. They succeed because of the acting.

The 2001 references are sad.

Planet’s real bad.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Antony Hoffman; screenplay by Chuck Pfarrer and Jonathan Lemkin, based on a story by Pfarrer; director of photography, Peter Suschitzky; edited by Robert K. Lambert and Dallas Puett; music by Graeme Revell; production designer, Owen Paterson; produced by Mark Canton, Bruce Berman and Jorge Saralegui; released by Warner Bros.

Starring Val Kilmer (Gallagher), Carrie-Anne Moss (Bowman), Tom Sizemore (Burchenal), Benjamin Bratt (Santen), Simon Baker (Pettengill) and Terence Stamp (Chantilas).


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Demolition Man (1993, Marco Brambilla)

Umm. Yeah. Where to start with Demolition Man. Stallone’s really personable in it. It might be his most personable, because the viewer automatically identifies with him as the modern (mostly modern) guy in the strange future.

The real star is Sandra Bullock, whose performance is far from perfect and her character is poorly written, but she’s fun and cute, which is what Sandra Bullock is supposed to be. She’s likable and genial.

Wesley Snipes is bad. He looks good with the blond hair and the contacts, but he doesn’t have enough personality (frighteningly, he’s too much of an actor) to go wild as needed. Also, the script seems to be scared to mention he’s black, which is interesting.

The direction is okay. The real problem is the editing. I’ve never seen such bad editing from Stuart Baird before. Maybe the direction isn’t okay, the composition is okay and the coverage is awful.

Oh, it did shoot in Los Angeles? I figured it was a runaway production, which would explain the lousy production values. The sets are confined and pseudo-grand, like Batman and Robin, which is fine, since Elliot Goldenthal’s score is the same as his Batman scores.

Some of the film feels very solid. Well, maybe only in hindsight. It’s the kind of movie you watch in the middle of the night and fall asleep during and only are awake for the good parts so you think it’s better than it turns out to be on a complete viewing.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Marco Brambilla; screenplay by Daniel Waters, Robert Reneau and Peter M. Lenkov, based on a story by Lenkov and Reneau; director of photography, Alex Thomson; edited by Stuart Baird; music by Elliot Goldenthal; production designer, David L. Snyder; produced by Joel Silver, Michael Levy and Howard Kazanjian; released by Warner Bros.

Starring Sylvester Stallone (John Spartan), Wesley Snipes (Simon Phoenix), Sandra Bullock (Lt. Lenina Huxley), Nigel Hawthorne (Dr. Raymond Cocteau), Benjamin Bratt (Alfredo Garcia), Bob Gunton (Chief George Earle), Glenn Shadix (Associate Bob), Denis Leary (Edgar Friendly) and Steve Kahan (Captain Healy).


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