Immortal Weapons (2009) #5

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You know who David Lapham can’t write? Danny Rand. You know who he has as his de facto protagonist? Danny Rand.

John Aman—the Prince of Orphans—is secondary to his own issue. Lapham even writes an adventure for Danny and Luke with a wacky miniature villain. I guess Aman gets the opening scene but….

Worse, it’s like Lapham never even read Brubaker and Fraction’s Immortal Iron Fist issues with Aman and Danny to get the relationship down. He just makes Danny a pest—it’s like he’s writing Spider-Man as Danny Rand.

I guess it’s an okay story for not being any good and Lozzi’s art is lovely.

This whole Immortal Weapons series is a waste of time.

And the Swierczynski Iron Fist backup, which started so nice, is a waste. Swierczynski lost hold of the narrative—it’s obvious. And Diaz’s artwork is even worse than before. He’s awful.

Immortal Weapons 5 (January 2010)

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You know who David Lapham can’t write? Danny Rand. You know who he has as his de facto protagonist? Danny Rand.

John Aman—the Prince of Orphans—is secondary to his own issue. Lapham even writes an adventure for Danny and Luke with a wacky miniature villain. I guess Aman gets the opening scene but….

Worse, it’s like Lapham never even read Brubaker and Fraction’s Immortal Iron Fist issues with Aman and Danny to get the relationship down. He just makes Danny a pest—it’s like he’s writing Spider-Man as Danny Rand.

I guess it’s an okay story for not being any good and Lozzi’s art is lovely.

This whole Immortal Weapons series is a waste of time.

And the Swierczynski Iron Fist backup, which started so nice, is a waste. Swierczynski lost hold of the narrative—it’s obvious. And Diaz’s artwork is even worse than before. He’s awful.

CREDITS

Prince of Orphans: The Loyal Ten Thousand Dead; writer, David Lapham; artist, Arturo Lozzi; colorist, June Chung. The Caretakers, Conclusion; writer, Duane Swierczynski; artist, Hatuey Diaz; colorist, June Chung. Letterer, Nate Piekos; editors, Alejandro Arbona and Warren Simons; publisher, Marvel Comics.

Immortal Weapons (2009) #1

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Could this story be more depressing?

Aaron does a decent job on Fat Cobra’s backstory—though he doesn’t go enough into defining Fat Cobra’s Heavenly City. He buys his way back into it at one point and buying one’s way back into a Heavenly City seems a little common.

Then there’s all the retconning of Fat Cobra into Marvel Comics history. He was almost an Invader, he was Ulysses Bloodstone’s sidekick and so on and so forth. Aaron’s trying to hard to be cute. When we get to the end of the story and find out the salient feature of Fat Cobra’s (forgotten) past… all the other stuff becomes silly.

That feature—Fat Cobra has no memory of his past—is similarly problematic. Aaron needed to explain it.

Good art from a variety of artists. It’s a fine package.

Swierczynski’s Iron Fist backup is the best Iron Fist he’s written.

Immortal Weapons 1 (September 2009)

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Could this story be more depressing?

Aaron does a decent job on Fat Cobra’s backstory—though he doesn’t go enough into defining Fat Cobra’s Heavenly City. He buys his way back into it at one point and buying one’s way back into a Heavenly City seems a little common.

Then there’s all the retconning of Fat Cobra into Marvel Comics history. He was almost an Invader, he was Ulysses Bloodstone’s sidekick and so on and so forth. Aaron’s trying to hard to be cute. When we get to the end of the story and find out the salient feature of Fat Cobra’s (forgotten) past… all the other stuff becomes silly.

That feature—Fat Cobra has no memory of his past—is similarly problematic. Aaron needed to explain it.

Good art from a variety of artists. It’s a fine package.

Swierczynski’s Iron Fist backup is the best Iron Fist he’s written.

CREDITS

The Book of the Cobra; writer, Jason Aaron; pencillers, Mico Suayan, Stefano Gaudiano, Roberto De La Torre, Khari Evans, Michael Lark and Arturo Lozzi; inkers, Suayan, Gaudiano, De La Torre, Victor Olazaba, Lark and Lozzi; colorists, Edgar Delgado, Matt Hollingsworth, Jelena Kevic Djurdjevic and Jodi Wolff. The Caretakers, Part One; writer, Duane Swierczynski; penciller, Travel Foreman; inker, Gaudiano; colorist, June Chung. Letterer, Nate Piekos; editors, Alejandro Arbona and Warren Simons; publisher, Marvel Comics.