Staged (2020) s02

So when we watched the first series of “Staged,” I’d forgotten the original episodes were fifteen minutes; we watched the extended ones. Now, this second series either doesn’t have extended episodes or doesn’t have extended episodes yet. Eight episodes, fifteen minutes each, works out to a grand total of two hours. And I don’t know if the original series feels like this one—when it’s just leads David Tennant and Michael Sheen bantering their way through the main plot with the slightest diversion into the supporting cast—or if the original series is more balanced.

Because there’s no subplots in series two. It’s all about the guest stars each episode and whether or not they can get bigger names. It starts with Michael Palin in the first episode of the series, but the guest star gets increase over time. They save the Oscar winner for the last episode again.

This series is about the the series; Sheen, Tennant, and Simon Evans created this show for the BBC called “Staged,” it was popular, now they’re going to be making an American version only it’s not going to involve Sheen and Tennant. They’re recasting it. So this second series becomes Sheen and Tennant in video chats with whichever guest stars, who often are doing scenes from the first series, playing Sheen and Tennant. It’s often very funny and an episode’s success entirely hinges on the guest stars they’re able to get, which also might’ve been the case in the first series and they just added the subplots involving the supporting cast to the extended editions.

For example, there’s seemingly a subplot for wives Georgia Tennant and Anna Lundberg (and fellow girl Lucy Eaton, Simon’s sister) but it only gets a handful of scenes and we don’t even get to see the pay-off from it. The pay-offs always about the guest stars they’re able to get.

And it’s kind of hard to talk about the guest stars because they’re varied—multiple UK movie and TV stars from famous shows and movies, then the occasional American (which often plays even better because the Americans don’t approach Sheen and Tennant with the professional expectations their UK colleagues put on them). While the American movie stars are the biggest names, they actually tend to have been in more successful projects than their British counterparts. But then it’s going to be spoilers, because every time one of the guest stars shows up, it’s an almost immediate surprise laugh. Because it’s just Sheen and Tennant, who are working with the opposite’s potential actor—so Tennant works with the Sheen actors and Sheen works with the Tennant actors—they all eventually turn into these hilarious bad talk therapy sessions as Sheen and Tennant try to work out their hostilities with each other on the guest stars.

Except since the first series is fictional in the second series, there’s none of that existing character development—initially they even have Sheen play the more Tennant temperament and vice versa–and with no time for subplots, it’s all about the banter and who can banter the best. Until the last guest star episode, where the show once again brings out the big guns, usually Sheen and Tennant “win” their banter scenes with the guest stars. There are a couple notable exceptions. Again, no spoilers, but they’re the Americans.

One of the other things about the show is the reduction of Evans’s part; he’s now in Los Angeles—the series takes place in a window where lockdown had ended and everyone’s trying to get on with their lives, which dates it far more than the first series because the video chatting seems a lot more contrived—but anyway, Evans is in L.A. and he’s working on the new show and deceiving Tennant and Sheen about their roles in it. It’s a glorified cameo.

Though then again everyone from the first series has a glorified cameo, with the wives just scenery and Eaton basically just around a couple times in case you missed her. Given Eaton and Evans had the best character arc in the first series (though probably only in the extended episodes), it feels a lot more like a gimmick than an actual narrative this time around.

For regular supporting cast, the series adds Whoopi Goldberg not playing Whoopi Goldberg, but playing Sheen and Tennant’s agent. Ben Schwartz plays her assistant, who’s got a mad crush on Tennant, something Sheen enjoys leveraging. It’s a pointless stunt cast on Goldberg, who’s barely in it. Schwartz is funny but it’s one note.

“Staged: Series Two” has a great cast, hilarious episodes, a downright rewarding conclusion, but it compares rather poorly to the original series. It doesn’t ask much from Sheen and Tennant, instead just riffing on things they did last series, sometimes to hilarious effect but it’s always easy. And entirely contingent on having seen the first series, which—depending on the version you watched—might make this series seem paltry in comparison.

I’m curious if there will be extended versions but also rather cautious about them. It’s good, but a disappointment. More of it might just be more disappointing.

If you’ve seen the first series, it’s a solid two hour binge watch. Even if you saw the extended versions—the second series plays like a home video special feature—though at that point, they could’ve gone even shorter with this series as a postscript for the first. Like as an hour long holiday special or something.

Staged (2020) s2

So when we watched the first series of “Staged,” I’d forgotten the original episodes were fifteen minutes; we watched the extended ones. Now, this second series either doesn’t have extended episodes or doesn’t have extended episodes yet. Eight episodes, fifteen minutes each, works out to a grand total of two hours. And I don’t know if the original series feels like this one—when it’s just leads David Tennant and Michael Sheen bantering their way through the main plot with the slightest diversion into the supporting cast—or if the original series is more balanced.

Because there’s no subplots in series two. It’s all about the guest stars each episode and whether or not they can get bigger names. It starts with Michael Palin in the first episode of the series, but the guest star gets increase over time. They save the Oscar winner for the last episode again.

This series is about the the series; Sheen, Tennant, and Simon Evans created this show for the BBC called “Staged,” it was popular, now they’re going to be making an American version only it’s not going to involve Sheen and Tennant. They’re recasting it. So this second series becomes Sheen and Tennant in video chats with whichever guest stars, who often are doing scenes from the first series, playing Sheen and Tennant. It’s often very funny and an episode’s success entirely hinges on the guest stars they’re able to get, which also might’ve been the case in the first series and they just added the subplots involving the supporting cast to the extended editions.

For example, there’s seemingly a subplot for wives Georgia Tennant and Anna Lundberg (and fellow girl Lucy Eaton, Simon’s sister) but it only gets a handful of scenes and we don’t even get to see the pay-off from it. The pay-offs always about the guest stars they’re able to get.

And it’s kind of hard to talk about the guest stars because they’re varied—multiple UK movie and TV stars from famous shows and movies, then the occasional American (which often plays even better because the Americans don’t approach Sheen and Tennant with the professional expectations their UK colleagues put on them). While the American movie stars are the biggest names, they actually tend to have been in more successful projects than their British counterparts. But then it’s going to be spoilers, because every time one of the guest stars shows up, it’s an almost immediate surprise laugh. Because it’s just Sheen and Tennant, who are working with the opposite’s potential actor—so Tennant works with the Sheen actors and Sheen works with the Tennant actors—they all eventually turn into these hilarious bad talk therapy sessions as Sheen and Tennant try to work out their hostilities with each other on the guest stars.

Except since the first series is fictional in the second series, there’s none of that existing character development—initially they even have Sheen play the more Tennant temperament and vice versa–and with no time for subplots, it’s all about the banter and who can banter the best. Until the last guest star episode, where the show once again brings out the big guns, usually Sheen and Tennant “win” their banter scenes with the guest stars. There are a couple notable exceptions. Again, no spoilers, but they’re the Americans.

One of the other things about the show is the reduction of Evans’s part; he’s now in Los Angeles—the series takes place in a window where lockdown had ended and everyone’s trying to get on with their lives, which dates it far more than the first series because the video chatting seems a lot more contrived—but anyway, Evans is in L.A. and he’s working on the new show and deceiving Tennant and Sheen about their roles in it. It’s a glorified cameo.

Though then again everyone from the first series has a glorified cameo, with the wives just scenery and Eaton basically just around a couple times in case you missed her. Given Eaton and Evans had the best character arc in the first series (though probably only in the extended episodes), it feels a lot more like a gimmick than an actual narrative this time around.

For regular supporting cast, the series adds Whoopi Goldberg not playing Whoopi Goldberg, but playing Sheen and Tennant’s agent. Ben Schwartz plays her assistant, who’s got a mad crush on Tennant, something Sheen enjoys leveraging. It’s a pointless stunt cast on Goldberg, who’s barely in it. Schwartz is funny but it’s one note.

“Staged: Series Two” has a great cast, hilarious episodes, a downright rewarding conclusion, but it compares rather poorly to the original series. It doesn’t ask much from Sheen and Tennant, instead just riffing on things they did last series, sometimes to hilarious effect but it’s always easy. And entirely contingent on having seen the first series, which—depending on the version you watched—might make this series seem paltry in comparison.

I’m curious if there will be extended versions but also rather cautious about them. It’s good, but a disappointment. More of it might just be more disappointing.

If you’ve seen the first series, it’s a solid two hour binge watch. Even if you saw the extended versions—the second series plays like a home video special feature—though at that point, they could’ve gone even shorter with this series as a postscript for the first. Like as an hour long holiday special or something.

Staged (2020) s01e06 – The Cookie Jar, the extended version

“Staged” brings out its biggest gun this episode—bigger than Sam Jackson—but I can’t spoil because it’s way too perfect. There are some great jokes going back to the first episode as we find out how David Tennant and Michael Sheen are going to be able to get over themselves and work on this play together.

Well. Not exactly because the episode starts with Tennant ready to quit the play and not just because Sheen has discovered another thing Tennant doesn’t know but really should know so gets to mock him for it. There’s a little comeuppance for Sheen later one—in the big gun segment, which is perfect—but then the ending sequence kind of makes it all about Tennant being inept again.

It’s funny stuff. And eventually as close to wholesome as “Staged” has ever gotten. But it does lead to the most affecting character development on the show being Lucy Eaton and Simon Davis, as adult siblings who manage to reconnect during lockdown in no small part due to Davis being a bit of a dip, and then Sheen’s concern for his elderly and always offscreen neighbor. The Sheen subplot means more for Anne Lundberg.

Meanwhile, all the Tennant household gets a screenwriting subplot so David doesn’t feel too inferior to novelist wife Georgia. Again… making David Tennant the dopey dad is a waste of talent and way too easy. Though given the lockdown constraint, I guess it should get a pass. Right?

Anyway.

There’s another great scene from Nina Sosanya as the play producer who manages to know more about what’s going on without talking to the stars than Davis who is talking to the stars.

It’s a very nice finish to the series; makes you wonder if they had the special guest star in mind all the time. Because sometimes deus ex machina stunt casts are the right choice.

Staged (2020) s01e05 – Ulysses, the extended version

Two observations after this episode. “Staged” does really well with guest stars—Adrian Lester shows up, more on him in a bit—and it’s relying a little too much on the too easy “David Tennant is the earnestly obtuse one” bit. This episode has Tennant surprised no one else dreams about him, which is really funny but also incredibly… easy. Like, “Staged” has its easy already—Michael Sheen ranting and raving is easy, but glorious. It just seems like giving Tennant the Mutt part is too easy.

Especially since the show’s decidedly not a family sitcom about David and Georgia Tennant’s life during Covid lockdown because their kids aren’t in the show. There are kids, they’re just always offscreen.

Anyway.

Lester. So good. He has this whole arc where he gets, well, emotionally damaged—just a bit—from interacting too much with Sheen and Tennant and it’s really good. The laugh is never about Lester having a rough time during lockdown but it’s still an integral detail of the joke. Really impressively done.

Then the cliffhanger is quite good too. They switch over to drama—“Staged” is able to scale from the gimmicky comedy aspect to the dramatics quite well (not so much with the Tennant household) but otherwise. Like with Simon Evans and Lucy Eaton. Their character development over the season has been great.

Oh, and Amy Lundberg’s really good this episode. Her character is basically delicate artist Sheen’s keeper or tender or whatever, but when it hits the dramatics she moves over to them quite nimbly.

“Staged” works well. Even with the asterisks, it definitely works.

Staged (2020) s01e04 – Bara Brith, the extended version

Staged never lets us in enough on the joke to know if David Tennant or Michael Sheen is doing the bigger stretch. This episode has Sheen not just making fun of Tennant’s “heightened” read of the play—they finally get around to rehearsing—but even opens on Sheen making fun of how Tennant poses for pictures. He’s always got his mouth closed, no teeth, looks like a Muppet.

Two things. We get to see Michael Sheen do a Muppet impression and it’s wonderful. And David Tennant really does do the tight-lipped thing in still photos; lots of Tennant header images on <ul>The Stop Button</ul> and they are (mostly) tight-lipped.

The big scene this episode—well, in addition to all the bickering set pieces—is play producer Nina Sosanya trying to sort out the problems without director Simon Evans screwing things up. Sosanya’s great and able to remain sympathetic without having to be saccharine, much like Lucy Eaton (Evans’s suffering sister). The two wives, however, are de facto saccharine.

For instance, this episode has Georgia Tennant still not having told David she’s finished her novel because he’s going to mope out about it. Instead she’s encouraging him to work on his own writing so he doesn’t feel bad about himself. The way “Staged” positions its stars is very weird; Tennant and Sheen will self-depreciate in certain ways, but there’s a hard limit.

Meanwhile, everyone gets to berate Evans and it sometimes leads to fantastic real scenes, like Evans and Eaton talking about grocery shopping.

Those qualifications aside… it’s an absolutely hilarious episode. Tennant and Sheen yell bickering continues to be superb entertainment.

Staged (2020) s01e03 – Who The F#!k Is Michael Sheen?, the extended version

Last episode they talked about the big name movie star who wanted to be in the adaptation of Six Characters in Search of an Author with David Tennant before dropping out to do a movie but they never identified him. This episode has him guest starring.

And it’s Sam Jackson.

As Samuel L. Jackson. Who talks just like it’s still Pulp Fiction. Jackson does enough with the expressions even if the dialogue’s not good. Also the “bitches” use comes off weird in 2020. Tennant has to call up Jackson to tell him he’s out on the play because Michael Sheen’s going to do it now. See, Jackson had the exact same idea as Simon Evans—Simon Evans the “Staged” character not Simon Evans the “Staged” creator (presumably)—do Zoom rehearsals and be ready to open when the lockdown’s over.

Tennant’s going to take care of it for Evans, who’s scared of Jackson, while Michael Sheen is being kept as oblivious as possible.

This episode gives us a scene between Georgia Tennant and Anna Lundberg where they get to talk about their husbands being kind of silly, pandemic lockdown life, and Georgia’s novel. She’s writing a novel during lockdown. It’s a fun scene, even if it doesn’t pass Bechdel (I don’t remember it passing Bechdel anyway), and the wives look almost identical.

We also get some developments on Sheen’s relationship with his neighbor—he’s now her errand boy due to his attempts to dump recycling in her bins.

There’s a great scene between Evans and Lucy Eaton where they just find a human moment in the lockdown.

And the finale to the episode is absolutely fantastic stuff. Everything from maybe fifteen minutes in to the end is just hilarious.

Staged (2020) s01e02 – Up To No Good, the extended version

So this episode doesn’t resolve the previous episode’s sort of cliffhanger, which had play director Simon Evans—played by show creator, writer, and director Simon Evans—apparently hanging up on his call with Michael Sheen and David Tennant when Sheen pressed him too hard on something.

Apparently Sheen got over it because they went from it not being a guaranteed thing to it being a guaranteed thing. It’s the first day of rehearsals and things do not go well. Evans has got a silly icebreaker, which predictably and quite amusingly pisses off Sheen, leaving Tennant to try to play peacekeeper. But then Evans’s sister, Lucy (played by sister Lucy Eaton)—who didn’t invite him to lockdown at her house and is going through a breakup with a distant boyfriend—gets Simon for the phone….

See, Staged is kind of a show about nothing. Only with David Tennant and Michael Sheen pretending to be doing something when they’re really doing nothing. The show gets plenty of material out of little things, like Evans hiding from his agent—Eaton has to confront him about it, with Evans doing a way too good of job of being, well, smarmy—and then there’s a sequence with Tennant trying to cook while Sheen offers advice through the computer.

The episode ends with a great cliffhanger involving Sheen’s neighbor; see, Sheen’s dumping his empty booze bottles in her recycling so his neighbor’s don’t think he’s a lush and then she’s at the door.

“Staged” is really funny, fairly well acted, and perfectly timed. Twenty-two minutes is just right.

There’s a great end tag where the stars bicker about their credits on the play poster.

Staged (2020) s01e01 – Cachu Hwch, the extended version

“Staged” isn’t so much a great concept as it’s a great concept for the constraints it’s under. “Staged” is a Covid lockdown project, with most of the “action” two people talking on video conferencing (they say Zoom but it doesn’t matter) and then some static shots where everyone’s locked down.

Also very important is who’s locked down. The stars are David Tennant and Michael Sheen, playing themselves, with their significant others, Georgia Tennant and Anna Lundberg, respectively, locked down in the same location. So built-in cast.

The story’s pretty simple; Tennant and Sheen were going to do a play–Six Characters in Search of an Author by Luigi Pirandello—for a newbie director, Simon Evans (also “Staged”’s writer, director, and creator—only the pandemic happened so play’s off. Until Evans has the idea they can just rehearse it (it’s mainly a two character play) over Zoom and then they’ll be all set to go when things open back up.

This episode aired in June 2020 so it’s interesting to see where they thought Britain was going pandemic-wise. Though the toilet paper jokes date quite well since we’ve got toilet paper again.

So Evans is scared of Sheen and he gets Tennant to try to sell him on the idea, which goes pretty well (for a while), leading up to a funny sort of cliffhanger. Sort of not cliffhanger.

It’s all about the banter between Tennant and Sheen, who have various “set piece” conversations. Here they talk about amusing the kids and wives with new hobbies only to learn Tennant draws shite pineapples and Sheen paints lovely landscapes.

It’s a fun show. The static camera angles are occasionally a little bland, but the actors make up for them.