Tag Archives: A. Michael Baldwin

1994, ⓏⒺⓇⓄ, Horror

Phantasm III: Lord of the Dead (1994, Don Coscarelli)

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I watched Phantasm III because I wanted to see what Coscarelli would do without studio interference on a Phantasm sequel.

Apparently, what he decided to do was add an annoying little kid who kills people (they’re bad people, but they’re people just the same–and it’s never clear he was in any physical danger) and a black kung fu girl then turn his mostly absent from the screen protagonist (A. Michael Baldwin returns to the role after losing it to James LeGros for the previous sequel) into some sort of Luke Skywalker stand in… right down to the black outfit.

Most of those additions could be forgiven, I suppose, had Coscarelli gotten good actors. The little kid–played by Kevin Connors–is awful. But the girl, played by Gloria Lynne Henry, is worse; so it seems like Connors is giving a better performance. And Baldwin isn’t any great improvement over LeGros. Phantasm III might be interesting to look at in comparison to the first, in terms of Baldwin’s performance as a kid and as an adult.

I’m not even sure it counts as a horror movie. Without the yellow blood, occasional zombie and the flying spheres, it’s just an action movie. Reggie Bannister makes a hilarious lead for such a film, but it’s clear in a lot of scenes he’s a lot better than the script.

Coscarelli apparently has said he was out of ideas for this film and it shows… his demystifying of the Phantasm lore is particularly unfortunate.

0/4ⓏⒺⓇⓄ

CREDITS

Written, directed and produced by Don Coscarelli; director of photography, Chris Chomyn; edited by Norman Buckley; music by Fred Myrow and Christopher L. Stone; production designer, Ken Aichele; released by Universal Home Entertainment.

Starring Reggie Bannister (Reggie), A. Michael Baldwin (Mike), Bill Thornbury (Jody), Gloria Lynne Henry (Rocky), Kevin Connors (Tim), Cindy Ambuehl (Edna), John Davis Chandler (Henry), Brooks Gardner (Rufus) and Angus Scrimm (The Tall Man).

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1979, ★½, Horror

Phantasm (1979, Don Coscarelli)

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Don Coscarelli’s Phantasm is not any kind of cinematic wonder. Coscarelli is a decent director in terms of composition and his screenplay has some inventive moments. Mostly, the writing credit is due because of his enthusiasm for the content. There’s nothing like seeing adults defer to the wisdom of a teenage boy–and A. Michael Baldwin pulls off the performance quite well. In Phantasm‘s world of approximately fifteen speaking parts and maybe three non-speaking (maybe), Baldwin runs the film.

Lots of Phantasm plays like an adolescent fantasy. Even ignoring Baldwin following brother Bill Thornbury on a date and watching him fool around with the girl (unintentionally preventing her from killing him), Phantasm‘s full of stuff for boys. There’s a gun porn scene, which is hilarious in how lame it comes across–Thornbury telling Baldwin to shoot to kill and so on–it’s hard to fault Phantasm for such tangents, because the whole thing is just goofy.

Maybe Phantasm isn’t scary, but it’s cool. Bad guy Angus Scrimm mysteriously appearing with crazy backlighting, cool. The silver ball thing with a fountain of blood spurting out–the design of this killing device itself–cool. Phantasm makes up for the lack of artistry with some good ideas and that enthusiasm. Coscarelli somehow transcends suspension of disbelief here–knowing how a shot works, understanding the sound effects’ effect–makes Phantasm all the more enjoyable. It’s an admirable film–Coscarelli just as easily couldn’t have pulled it off.

But Coscarelli doesn’t exactly know how to use his budget. Phantasm, effectively had double the budget of Halloween (Carpenter spent half just on the Panavision camera). Apparently, Phantasm was originally three hours long–there are signs throughout of cuts with one character nonsensically disappearing and another popping in for a moment almost as a gag–so some of the budget could have been used on those lost minutes.

The acting is hit and miss. Baldwin’s solid and believable, but not exactly good. The script’s a little too absurd. The same goes for Thornbury, whose likability is his greatest asset. It even gets him through this strange little porch-sitting guitar playing scene. Reggie Bannister plays their sidekick in the film’s most humorous role. It kind of works, it mostly doesn’t. Part of the budgetary slash editing problems is Bannister frequently just appears out of nowhere. Most of the supporting cast is mediocre, with Terrie Kalbus giving the film’s worst performance. Scrimm’s a fun villain–and figuring out why he had to be tall actually made me feel pretty smart.

Phantasm succeeds in spite of itself, because it is so impossible to take seriously, much less to be scared by it. But in not being disturbing, it offers a rather pleasant viewing experience, warts, wind machines, reused footage and all.

1.5/4★½

CREDITS

Written, produced, edited, photographed and directed by Don Coscarelli; music by Fred Myrow and Malcolm Seagrave; production designer, Kate Coscarelli; released by AVCO Embassy Pictures.

Starring A. Michael Baldwin (Mike Pearson), Bill Thornbury (Jody Pearson), Reggie Bannister (Reggie), Kathy Lester (Lady in Lavender), Terrie Kalbus (Fortuneteller’s Granddaughter), Lynn Eastman (Sally), David Arntzen (Toby), Bill Cone (Tommy), Laura Mann (Double Lavender), Mary Ellen Shaw (Fortuneteller) and Angus Scrimm (The Tall Man).

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