The Stop Button
blogging by Andrew Wickliffe
Category: 2022
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This season of “My Life Is Murder” has had several outstanding mysteries; with one episode to go, I’m pretty confident giving the prize to this episode, though. The script, credited to Kate McDermott, effortlessly keeps the show’s almost ensemble cast involved (except for Joe Naufahu, who’s occasionally around) while unfolding a windy murder investigation. The…
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Sam Rockwell can do an English accent. See How They Run occasionally has him use it but mostly has him stone-face while sidekick Saoirse Ronan amiably chatters away. The movie only asks Rockwell to act once or twice; he can do it with the accent. He’s not really a stunt cast because the movie doesn’t…
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Creator Ed Piskor ends Trigger Warnings with his most impressive writing on Red Room so far, and there’s been a lot of excellent writing. He does the issue as an anthology, skipping around an assortment of characters. Some are returnees, like Levee, the hacker from the first series. Before the narrator (the Cryptokeeper, who I’ve…
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This episode seems to be setting up “My Life Is Murder: Season Four,” with Lucy Lawless unexpectedly getting an adorable niece played by Nell Fisher, who is apparently not related to anyone in “Murder” but is appearing in the next Evil Dead movie. Lawless is married to one of the producers or executive producers or…
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In the way it has come for so many British television shows, movies, radio plays, and so on, war has come to “All Creatures Great and Small,” specifically the beginning of World War II. Or at least the King’s Speech beginning of World War II. The family gathers around the radio and everyone gets their…
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Technically, this issue’s outstanding. Creator Ed Piskor takes Trigger Warnings somewhere unpredictable and incredibly thoroughly realizes it. But as a story, it’s all about the punchline, and it’s a long, long time to get to the punchline, going through an entirely unnecessary flashback to a supporting character. Now, the supporting character’s essential, the comic opens…
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Dollars to sourdough loaves (it’ll make sense), I think this episode of “My Life Is Murder” is the best-plotted mystery of the season. So far, obviously, but I think it’ll go the distance. It’s an outstanding whodunit, plus Lucy Lawless gets to be petty about her baking. The episode opens with Ebony Vagulans and Joseph…
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While I had some expectations about Halloween Ends’s plot going in, based on the previous entry, the franchise, and behind-the-scenes scuttlebutt, nothing prepared me for a soft remake of Nightmare on Elm Street II. Halloween Ends is not about Jamie Lee Curtis getting out the butcher knife granddaughter Andi Matichak gave her in the last…
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Clerks III starts as a series of vignettes reintroducing the characters. It’s been fifteen years since the previous entry; since then, spoiler alert, one of them has become a widower, and neither has done anything with their lives. For the first time, Jeff Anderson gets a little more to do than Brian O’Halloran, though only…
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“She-Hulk” does not end with a second season announcement, which is—possibly reasonably, possibly not—heartbreaking. Especially since the mid-credit sequence erases one of the episode’s “wins.” Because even though “She-Hulk” is a Marvel show in an MCU, the show and its star—Tatiana Maslany (She-Hulk gets significantly less to do this episode)—would rather be a superhero legal…
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It’s a great episode; easily the best of season three. The show takes a big bite into a challenging, oft-avoided subject—Anna Madeley’s character’s estranged son (Edward)—she called the cops on him when he robbed her previous employer. I think these are season one details, then in season two or maybe a Christmas special, the son…
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Last episode, we found out Lucy Lawless’s fashionable curmudgeon (her costumes are phenomenal this season) hated Christmas. This episode, we open with her hating on summer. To cheer her up—after a muted flirtation about being on an ice cream date—copper Rawiri Jobe gives her a case: a bride dying at her own wedding, allergic to…
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I don’t think I’ve cringed as much during a Red Room since the first issue. Maybe it should’ve come with a Trigger Warning–wokka wokka. But, no, it’s more just the relentlessness of the Red Room footage. Creator Ed Piskor once again splits up the pages; in the top left, he’s got a suicide note from…
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It’s not going to seem like it in a few paragraphs, but I am a fan of director Giacchino. Or, more accurately, I am a fan of Giacchino’s directing. Werewolf by Night is easily the most interesting MCU project in the brand’s fourteen years. Most of the credit goes to director Giacchino, who does a…
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A couple things to get out of the way again for this episode. During Tatiana Maslany’s perfect beyond words Ferris Bueller “go home already” fourth wall breaking (she’d already inhabited the part, now it’s time for her to bend the devices to her will), she says next episode is the “finale.” They’re doing another scene…
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I’ll disclose I did not go into this episode without expectations. A friend said it was when “She-Hulk” hits its full potential, and he’s entirely correct. I just didn’t realize how much the show was going to include in that potential. This episode gets silly and soulful in a way reminiscent of the Dan Slott…
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No avoiding Nicholas Ralph’s desire to join up anymore. It’s front and center, complete with the questionable choice of playing instrumental cadences in the background when Ralph’s thinking about it. They only do it twice—maybe three times, and I’ve blocked one—but it’s the worst creative decision I can remember on the show. Thank goodness the…
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It’s a Christmas episode—or the closest (I think)—“Murder” has ever gotten. From the first scene, we find out Lucy Lawless is a Grinch, which comes as no surprise. She has a series of rambling complaints about Hallmark holidays, but basically, everyone forgot about her. Except for Ebony Vagulans and Lawless didn’t appreciate it (plus, it…
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Are self-contained wedding episodes a thing? This episode of “She-Hulk” breaks the fourth wall so Tatiana Maslany can tell the audience it’s one of those episodes. Those being self-contained wedding episodes, which—if they are a thing—I have many questions about. Like do they usually involve random guest stars with no bearing on the series, who’ve…
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Despite the title, this episode is not about Allison’s House, though there are technically two houses in the episode Annie Murphy’s protagonist could be possessive about. It’s also not really about Murphy; it is, but it also isn’t. The show’s grown quite a bit since its first episode, with Murphy realizing her life as the…
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There aren’t any big guest stars this episode; it’s all regular cast—including Renée Elise Goldsberry getting a big part after showing up in the background for an episode. Two episodes? Did I sleep through a scene in the first episode where they introduced the law firm staff? Because they really should’ve. Especially since Josh Segarra’s…
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Like they heard my questions, this episode has Rachel Shenton returning to her family farm to check in on things. Sort of. There’s no discussion of whether or not she’s still working at the farm or what’s up with little sister Imogen Clawson (who doesn’t appear in this episode; I keep forgetting this season is…
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Having returned from his honeymoon and discovering the pleasures of the flesh, Nicholas Ralph is no longer obsessed with enlisting in the Army to fight in World War II. There aren’t even any references to it in the episode. It’s just about the changes at the veterinary hospital, with Samuel West getting annoyed at there…
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Well, they got me. After last episode’s seemingly reductive, overly saccharine stumbles, I thought I’d figured out how “Resident Alien” was going to be closing out season two. I was wrong on most counts. The arc I was most hoping would get some resolution does—it’s something they’ve literally been putting off half the split season,…
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The cover to Trigger Warnings #1 promises a “self contained” story, which is technically accurate–all five issues of Red Room, the first series and now this issue, have been self-contained, but self-contained’s not the same as a good jumping on point. Especially since this issue is a direct sequel to the original Red Room #1,…
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I think this “My Life is Murder” is the most empathetic episode ever. When Lucy Lawless gets to the solution to her murder mystery, there’s a lot she doesn’t like about it and has feels. She also has feels because her brother, Martin Henderson, has gotten out of prison and hasn’t contacted her. He’s the…
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As is not uncommon for pay cable original programming, “Kevin Can F**k Himself” always ends with a teaser for the next episode. What’s coming up next week or just in general for the season; I think cable shows have been doing it for almost twenty years. There’s not much original footage in the teaser for…
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There’s only one more episode this season, so I guess some of the subplot resolutions make more sense now. For some reason, I thought there were two more episodes. This episode does Capricorn for the first time, and it’s rather disappointing. One of the season’s subplots turns out to just be busywork for a couple…
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The Machine is the best episode of the season so far, which is no small feat, and one of the three best “Kevin” episodes overall. It’s phenomenal; Kate Loveless and Jasmyne Peck have the writing credit; Anna Dokoza, of course, directs. The episode runs long, around forty-five minutes, and saves most of lead Annie Murphy’s…
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First things first: writer Garth Ennis does, as usual, get some tears from me. Lion & the Eagle #4 isn’t what I’d expected, for better and worse, but the inevitable Ennis war comic cry arrives; very last minute this time; I’d been expecting the issue to be a constant tearjerker. Ennis purposefully avoids the consistent…
The Stop Button 