The extended version of The Wolverine adds some twelve minutes to the theatrical version. I can’t quite remember the differences, but mostly it just makes the film seem longer. Mangold hasn’t got a good pace for it; the fault for that problem, however, lies with the screenwriters. The film opens with a flashback, moves on…

The Wolverine suffers from too many pots on the stove, a director in Mangold who can’t manage said pots and some really, really silly things. Like giant monsters silly. The film’s at its best during a long chase sequence–both in terms of run time and story time–when Hugh Jackman is protecting Tao Okamoto throughout Japan.…