What is this lovely comic? It’s not just lovely in terms of Ennis basically doing an extended happy ending, exaggerated as much as he can, it’s lovely in terms of the pacing. He resolves story threads and then gets things moved along as the reader gets to enjoy the result of all the trauma. And it’s love.

It’s so… nice. And positive. And hopeful. It’s not just slightly hopeful like one thing goes all right, it’s a happy ending where pretty much everything works out all right. It’s comedic, sure, but it’s all really sincere. Ennis has a real affection for these characters.

And the bunny. He and Dos Santos have the cute little bunny in the issue a lot. It’s weird. What the heck is this comic? Ten issues of A Train Called Love and I can’t figure it out. But I hope Ennis and Dos Santos have something else planned. Nothing with zombies or monsters though.

I really hope Dynamite collects this series well because I can’t wait to give it a single sitting read someday. It’s delightful. It’s got a lot of gross-out humor and ultra-violence, but it’s heart is in a nice place. Train’s a wonderful comic. Ennis’s writing is on, Dos Santos’s art is on. The gimmick is the sincerity. They apparently wanted to do a great comedic, ultra-violent, gross-out humor romance comic.

Success.

There’s so much action, so much ultra-violence–Ennis looses his Nazi contractor (who’s working for the Black guy villain, because–come on–it’s Ennis) in a shopping mall. It’s blood, guts and severed heads everywhere. And it’s glorious. Dos Santos goes crazy with it. There’s so much action, so much physical comedy. Oh, yeah. The four dumb guys are all running around naked. Because Ennis.

And it turns out Train Called Love is only ten issues. So it’s all over soon, which is tragic. Ennis has created such a fantastic cast of characters, with Dos Santos able to make them downright loveable through their absurdity. I wanted three more issues. Alas, poor me, just one more.

It does make sense, however. The way Ennis paces this issue, I should’ve guessed it wasn’t going to twelve. There’s a bit of character stuff in the background–none with the four doofuses because they’re doofuses–but Marv’s girlfriend (Penny?) gets to build towards something and then there’s the romance between the spy and Penny’s sister.

The comic’s hectic but never too hectic. It’s never jumbled. It’s Dos Santos’s best art in the book, just because there’s so much for him to keep in motion.

I just wish it wasn’t ending so soon.

Train Called Love is approaching the finish, which might be why Ennis takes something of a breather here. Following the transportation analogy, this issue is mostly talking heads. Characters are summing up, thinking through their decisions, having introspective moments. The comic–I almost called it “the film,” following through on my suspicions it’s Ennis’s attempt at writing outside comics returned to comics–the comic is gearing up, but also winding down. It’s a bridging issue in a series where bridging means character work. Ennis loves this character work.

There’s a lot of humor, of course. Ennis also loves the absurdist humor. Maybe even moreso than usual because Train takes place in the “real” world. Dos Santos’s cartoon-influenced style just highlights the desperate reality of it all.

I do wish I better remembered the characters’ names. Maybe in a single sitting, they’ll stick through. But regardless of them having memorable names, there are some great moments for these characters. Marv’s suffering lady friend, for example. Ennis gives her so much quiet sadness, punctuated by so much ugliness in the world around her. Ennis is daring the reader to hope for the characters. It’s always a dare in this kind of comic.

It’s a mellow issue. There’s no flash, just deliberate writing, deliberate art.

It’s not a bridging issue. I can’t believe it, but Ennis actually does just an issue in a limited series. Will the wonders of A Train Called Love never cease. I mean, Dos Santos manages to the lame bro leads sympathetic in their plight. He’s working against Ennis, who’s trying to make them hilarious in their desperation; it’s a reluctant sympathy and it works out. It’s a very neat touch in what’s becoming an indescribable book.

Each issue of Train has the things Ennis takes very seriously amid the gross out humor and absurdities. This issue it’s the unrequited love between a couple characters and Where Eagles Dare. There’s an action movie sight reference, then Ennis turns it into this whole rumination on Mary Ure and empowerment. A couple panels of rumination, yes, but serious rumination and careful exposition. He’s got reasons for what his characters are doing.

I just wish I remembered all their names. There are at least twelve characters to track. It’s a lot. Ennis is going crazy, but in this extremely contained, extremely precise manner. I’ve even gotten over how strange it is to see Dos Santos’s amiable, animated style against Ennis’s absurd black comedy. Dos Santos excels at the Where Eagles Dare moment, which sort of makes him an Ennis artist.

I’m eagerly awaiting the next issue.