Sons of Anarchy 4 (December 2013)

290934 20131211135341 largeThis issue is heavy on the action. It doesn’t seem like it’s going to be heavy on the action, but it definitely ends up that way. Couceiro does a great job toggling between action and talking heads. It’s the way he paces the sequences–somehow he uses the same pace for both talking and action. Works out well.

It’s kind of a bridging issue. Golden reveals a few things, checks in on his subplots, but it’s all just to get the characters to the place they need to be for the next issue. Given many of the characters are traveling, it’d be nice if things were tied to location. Sadly they aren’t.

Still, it’s a good issue. Golden and Couceiro turn in a sturdy comic book, the cliffhanger manages to be inevitable but unexpected. However, it does seem a little like Golden has started to pad out the series’s issues.

B- 

CREDITS

Writer, Christopher Golden; penciller, Damian Couceiro; inkers, Couceiro and Emilio Lecce; colorist, Stephen Downer; letterer, Ed Dukeshire; editor, Dafna Pleban; publisher, Boom! Studios.

Sons of Anarchy 3 (November 2013)

SOA 03 rev  draggedGolden goes an interesting route with this issue. He takes almost the entire issue to resolve last issue’s cliffhanger–he also explains why the guy who betrays SAMCRO does so in an almost too action-packed flashback. The cliffhanger resolution’s pretty simple….

The worst thing happens. Well, maybe not the worst. But Golden doesn’t give the cast a last minute save. He lays out the foreshadowing and then he delivers on it. It changes one’s expectations of where Golden’s willing to take the comic.

He does fill in way too much exposition though. The comic’s bursting with new characters to remember–most of them are just important names, not even on page–and it’s a lot to digest. Golden simplifies it a little bit towards the end, but an exposition recap of the too much exposition seems like a bad device.

Still, it’s solid. The soft cliffhanger’s a good one.

CREDITS

Writer, Christopher Golden; penciller, Damian Couceiro; inkers, Couceiro and Emilio Lecce; colorist, Stephen Downer; letterer, Ed Dukeshire; editor, Dafna Pleban; publisher, Boom! Studios.

Sons of Anarchy 2 (October 2013)

286089 20131010154105 largeGolden might have written himself into a corner with this issue’s soft cliffhanger. It might deal with too much continuity from the source television show for a fresh comic reader to pick it up.

Otherwise, though, it’s a good issue. Golden sticks with his female character who’s looking for help from SAMCRO. There’s a big flashback sequence, where Golden jumps between viewpoints a little but it’s fine–he makes sure Anarchy feels like a television episode. There’s action in the flashback, then bad action in some other flashbacks and asides.

By bad action I don’t mean Couceiro does a bad job with it, I mean it’s very unpleasant stuff. Not a gun fight, bad people doing bad things to helpless people bad. Somehow Couceiro manages not to make it too rough.

In fact, I’m not sure there’s any cursing in the comic.

Very curious to see what Golden does next.

CREDITS

Writer, Christopher Golden; artist, Damian Couceiro; colorist, Stephen Downer; letterer, Ed Dukeshire; editor, Dafna Pleban; publisher, Boom! Studios.

Sons of Anarchy 1 (September 2013)

283162 20130913133525 largeIt’s a little too soon to tell how Sons of Anarchy, one of the more unlikely licensed comics one can imagine, will pan out, but the first issue suggests it will go well.

Writer Christopher Golden is able to get a three act structure out of the issue; he straightforwardly introduces the regular cast, saving most of the flourish for his original characters in the story. A girl’s in trouble, has nowhere to go except to SAMCRO–I don’t even watch the show and Golden’s got me familiar with the vernacular.

In the meantime, there’s a bar fight with the regular cast, along with some nods to character development. Golden’s structure seems traditional enough–he’s introducing his series-long plot lines here while still delivering a solid single issue.

Damian Couceiro does an excellent job with the art. He toggles effortlessly between exposition, action and talking heads.

It’s surprisingly solid.

CREDITS

Writer, Christopher Golden; artist, Damian Couceiro; colorist, Stephen Downer; letterer, Ed Dukeshire; editor, Dafna Pleban; publisher, Boom! Studios.